Wazzup Pilipinas!?
On May 9, 2025, the National Gallery Singapore opens its most anticipated and historically significant exhibition to date — Fernando Zóbel: Order is Essential. This landmark show marks a powerful first for both the Gallery and Singapore: the inaugural solo exhibition in the nation dedicated to the transcendent abstract artist, patron, collector, and scholar, Fernando Zóbel (1924–1984). It’s more than an exhibition — it’s a revelation. A masterclass in cross-cultural resonance, meticulous artistry, and the pursuit of tranquillity through structure.
An Artistic Odyssey Across Continents
Spanning the United States, the Philippines, and Spain — the three anchors of Zóbel’s prolific career from the 1940s to the 1980s — the exhibition offers more than just a retrospective. It’s a pilgrimage through the creative geographies that shaped and inspired Zóbel’s evolution. With over 200 works on display — from intimate sketches and luminous paintings to archival photographs and rare prints — Order is Essential is not just a viewing experience; it is a meditative immersion into the mind of an artist who found harmony in structure and silence in chaos.
Structured across five evocatively titled sections, the exhibition invites audiences to walk in Zóbel’s footsteps, tracing a journey as introspective as it is expansive. His was a life steeped in movement — not only between countries and cultures but also through the shifting tides of artistic philosophies. Zóbel didn’t just travel the world; he traversed the frontiers of thought, technique, and feeling.
The Power of Stillness in Abstraction
The exhibition title — Order is Essential — is drawn from Zóbel’s own words, a mantra that defined his philosophy. In a post-war world obsessed with expressionism and emotional outburst, Zóbel chose quietude. He meticulously controlled every line, often using a syringe to lay down impossibly fine threads of paint in his iconic Saeta series — works that hum with precision and elegance. Here, abstraction doesn’t explode; it breathes.
Yet behind every silent stroke is a thunderous mind at work. As the Gallery’s Chief Curator and exhibition co-director Dr. Patrick Flores remarks, Zóbel “transcends singular cultural boundaries and speaks to a broader human experience.” His art is a dialogue — between East and West, past and future, chaos and clarity.
Dialogues Across Time and Space
The exhibition is not only a tribute to Zóbel but a staging ground for conversations between global masters. Alongside Zóbel’s works are pieces from luminaries such as Mark Rothko, Antoni Tàpies, and Liu Kuo-sung — artists whom Zóbel admired, collected, and sometimes mentored. Their inclusion enriches the narrative, revealing how Zóbel positioned himself not merely as an observer of modernism, but as one of its key architects.
Each section of the exhibition unfolds a chapter of Zóbel’s artistic biography:
“Half of this haunted monk’s life” opens with a powerful juxtaposition: Zóbel’s earliest expressionist work beside the final canvas he painted before his passing — a poetic bookend to a life in pursuit of artistic truth.
“With every single refinement” highlights his formative years in the U.S., where he absorbed the ferment of American modernism and began to shape his distinct visual voice.
“Thin lines against a field of colour” brings us to Manila, where Zóbel’s reflections on Filipino heritage met the avant-garde pulse of the 1960s.
“Movement that includes its own contradiction” transports us to Madrid, where he engaged with the Art Informel movement, creating his moody Serie Negra pieces — abstractions that flirt with darkness yet burn with clarity.
“The light of the painting” concludes the journey in Cuenca, Spain, where nature and ancient architecture inspired works of haunting monochromatic beauty, capturing the light of memory and place.
Zóbel, the Cultural Bridge
Fernando Zóbel was not merely an artist; he was a bridge — between continents, between cultures, and between generations of art lovers and thinkers. He founded two museums — Ateneo Art Gallery in the Philippines and Museo de Arte Abstracto Español in Cuenca, Spain — both cornerstones of modern art in their respective nations.
As Manuel Fontán del Junco of Fundación Juan March eloquently noted, “Working with National Gallery Singapore has been… like seeing Zóbel with a gaze closer to his Asian origins.” That perspective infuses the exhibition with newfound resonance — Zóbel is finally home in Southeast Asia, his roots revisited, his legacy reimagined.
Diplomacy and Desire: A Parallel Narrative
Opening in tandem with Order is Essential is Diplomacy and Desire: Basoeki Abdullah in Singapore, the latest installment of the Dalam Southeast Asia series. A compelling counterpoint, this exhibition sheds light on the political and personal power of portraiture in postcolonial Southeast Asia. With Basoeki Abdullah once dubbed the “Rembrandt of the East,” this show deepens the discourse on artistic influence, diplomacy, and the complexities of representation.
A Call to Reflect and Reconnect
In a region still negotiating its postcolonial identity and its place in the global art canon, the National Gallery’s presentation of Fernando Zóbel: Order is Essential is a clarion call. It urges us to reconsider what it means to be “modern,” to see abstraction not as detachment, but as intimacy — with thought, with form, with culture.
Zóbel’s art is not loud, but it lingers. His lines do not shout, but they echo. In the stillness of his canvases, we find not emptiness but resonance — a reminder that in order, there is peace. And in peace, a deeper kind of beauty.
Fernando Zóbel: Order is Essential runs from May 9, 2025, at National Gallery Singapore.
Ross is known as the Pambansang Blogger ng Pilipinas - An Information and Communication Technology (ICT) Professional by profession and a Social Media Evangelist by heart.
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