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Monday, May 26, 2025

The Revolution Will Be Stylized: How Gen Z is Rewriting the Rules of Cool


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These are not the kids your parents warned you about.


The statement hits like a revelation, cutting through decades of generational anxiety with surgical precision. As Audrey Carpio observes in Vogue Philippines, the youth of today aren't the rebels previous generations expected—they're something far more transformative, and infinitely more dangerous to the status quo.


The Digital Natives Who Refuse to Be Categorized

Gone are the days when youth rebellion meant leather jackets and loud music. Today's generation—the first true digital natives—has weaponized authenticity itself. They've moved beyond the performative desire to defy authority, choosing instead to build communities and networks that challenge the very foundations of how we define success, identity, and power.


"With information as their superpower, the youth are catalyzing social change at light speed," Carpio writes, capturing the essence of a generation that doesn't just consume culture—they create it, remix it, and redistribute it faster than any marketing department can comprehend.


This isn't your typical generational shift. These are young people who were "born into a world hovering on the knife's edge of climate disaster," yet they've responded not with despair but with an almost otherworldly commitment to sustainability, equality, and collaborative relationships. They're carving out safe spaces in underground scenes reminiscent of early raves, but their rebellion isn't about escape—it's about reconstruction.


Fashion as Revolution, Style as Survival

Walk through Manila's underground scene on any given night, and you'll witness something unprecedented: young people using fashion not just as self-expression, but as a form of activism, a daily practice of small acts that build toward massive change. They understand what previous generations missed—that how you present yourself to the world is itself a political act.


Consider the creative forces profiled in these pages: artists like Gianne Encarnacion, who describes her work as "decorating my inner world with the beauty of the outer world to entice me to come inside and stay awhile." This isn't mere aestheticism—it's a radical reimagining of how creativity can serve as both sanctuary and statement.


The New Language of Influence

Fashion designer Rod Malanao captures this generational shift perfectly: "Fashion is the language that I choose." For Gen Z, this language is fluent in contradiction, comfortable with ambiguity, and utterly uninterested in the binary thinking that defined previous eras.


These young creatives—from textile upcycler Rio Cuervo to filmmaker Martika Ramirez Escobar—represent a fundamental shift in how talent operates. They're not waiting for permission from traditional gatekeepers. They're building their own platforms, creating their own metrics of success, and most importantly, they're doing it all while maintaining an aesthetic sensibility that would make previous generations weep with envy.


Gab Mejia, photographer and National Geographic Explorer, embodies this new paradigm. At just 26, he's transforming narrative storytelling through photography that bridges the gap between high art and social consciousness. His work with the Agusan Manobo people demonstrates how this generation approaches documentation—not as extraction, but as collaboration and mutual empowerment.


The Intersection of Advocacy and Aesthetics

What makes this generation truly revolutionary isn't just their politics—it's how seamlessly they integrate advocacy into every aspect of their creative practice. Take Daphne Chao, the 26-year-old behind "Hardcore Handmade Crochet," who transformed her grandmother's traditional craft into a contemporary statement about sustainability and cultural preservation.


Or consider the Philippine Women's National Football Team members profiled here—athletes who understand that their presence on the field represents something far greater than sports. They're rewriting narratives about what Filipino women can achieve while simultaneously inspiring a new generation to dream beyond traditional limitations.


The Algorithm of Authenticity

Perhaps most fascinating is how this generation has mastered the very systems that were supposed to control them. They've turned social media platforms into galleries, organizing tools, and spaces for genuine community building. They understand that in a world where attention is currency, the most valuable thing you can offer is unfiltered truth.


As musician and creative director Sean Bautista explains, his work exists "at the intersection and conjunction of different disciplines while making clear that the conception needs not overlap." This isn't just artistic philosophy—it's a blueprint for how Gen Z navigates complexity without demanding simplification.


Beyond the Binary

What emerges from these profiles is a generation that refuses to be contained by traditional categories. They're entrepreneurs and activists, artists and advocates, local and global simultaneously. They've internalized the harsh reality that they're inheriting a broken world, but rather than succumb to nihilism, they've chosen radical hope.


Filmmaker Martika Ramirez Escobar, whose Sundance-winning work continues to challenge conventional narratives, represents this beautifully. Her journey from childhood fascination with her grandfather's camera to international recognition illustrates how this generation transforms personal passion into cultural impact.


The Future Is Already Here

The most striking aspect of these young Filipino creatives isn't just their individual achievements—it's how they collectively represent a fundamental shift in how talent, creativity, and influence operate in the 21st century. They're not just adapting to change; they're manufacturing it.


They understand that traditional markers of success—the corporate ladder, the conventional career path, the separation between personal values and professional ambition—are relics of a world that no longer exists. Instead, they're creating integrated lives where authenticity isn't just a brand value but a survival strategy.


As Vogue Philippines' feature demonstrates, these aren't just profiles of emerging talent—they're glimpses into a future that's already unfolding. A future where creativity and consciousness are inseparable, where individual expression serves collective liberation, and where the most revolutionary act might just be refusing to play by rules that were never designed for your success anyway.


The youth of today aren't the kids your parents warned you about. They're something far more transformative: they're the architects of a world your parents never imagined was possible. And they're building it one carefully curated, politically conscious, aesthetically revolutionary post at a time.


The revolution will be stylized. And it will be absolutely, undeniably, authentically cool.


Where Did the Madness Begin? A Deep Dive into the Abuse of Confidential Funds in Philippine Governance




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Once upon a time, confidential and intelligence funds were sacred—reserved exclusively for agencies with a clear mandate in national security: the Armed Forces of the Philippines (AFP), the Philippine National Police (PNP), and the National Intelligence Coordinating Agency (NICA). These funds were limited, with a specific purpose. Though not entirely transparent, they were not universally coveted. They were not desired by officials with no involvement in surveillance or intelligence operations. The rule was simple: if intelligence isn’t your job, you don’t need an intel fund.


But everything changed with the arrival of Rodrigo Duterte.


In 2021 alone, Duterte spent the entire ₱4.5 billion in confidential and intelligence funds allocated to the Office of the President. Spent. Gone. Without a traceable breakdown. Without public accounting. In a government that prided itself on discipline, there was none when it came to the people’s money. And with that, the floodgates opened.


Suddenly, almost every government office—regardless of its relation to national security—started requesting confidential funds. What was once a security-sector exclusive became the new normal in every budget proposal. The exceptional became routine. The rulebook was rewritten.


Fast forward to the Marcos Jr. administration: another ₱4.5 billion was approved for the Office of the President. Again, it is being gradually depleted—quietly, swiftly, and without explanation. The public sees no clear benefit. No measurable results. Just rapid spending. And an eerily silent system.


Ask why, and the reply is often: “At least we felt safe back then.”


As if mere feelings of security are enough to legitimize billions in untraceable spending. But when did “just a feeling” become the gold standard of good governance? When did safety become the excuse for silence? And when did it become acceptable for billions of pesos to vanish—without impact, without receipts, without answers?


This is not merely an issue of budgeting. It is a matter of principle.


Administrative Order No. 103 and Joint Circular No. 2015-01 by COA, DBM, and DILG clearly define the parameters of confidential and intelligence funds. These funds are not to be used for operational expenses, publicity, allowances, or anything unrelated to intelligence. There must be a purpose. There must be oversight. Yet in the current system, mechanisms of accountability are being ignored. What was once considered an “exceptional use” is now the go-to tool of unchecked power.


In public finance, this dangerous trend is called the normalization of unaccountability. When money is repeatedly spent without justification—and the public simply shrugs it off—impunity becomes permanent. History shows us that in authoritarian regimes, discretionary funds like these are not tools of national defense but weapons of political survival.


So, we must ask:


Why is our government addicted to untraceable funds?

Why can’t they function without secret slush money?

Why are those who question the system always seen as the enemy?


This isn’t about opposition—it’s about obligation. In a democracy, asking questions is not an act of rebellion. It is the very essence of citizenship. Every peso in the national budget is public money. And public money demands public accountability.


Because people’s funds are not drugs.

They should not be hoarded.

They should not disappear overnight.

And they should never, ever be without a receipt.


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TEATRO TOMASINO BRINGS BACK THE FEELS WITH JUAN EKIS’ TWENTY QUESTIONS: WIT AND WHAT-IFS RETURNS ON STAGE — More Heart, More Truth, and More Wine


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After a sip of heartbreaks from Kapeng Barako Club: Samahan ng mga Bitter, Teatro Tomasino—the official theater guild of the University of Santo Tomas—raises another glass to love, longing, and late-night confessions with Juan Ekis’ first Palanca Award-Winning one-act play Twenty Questions.

This beloved and intimate piece introduces Yumi and Jigs—two friends who find themselves tangled in a game of Twenty Questions, where the only rules are simple: drink, ask, and answer in full trust and sincerity. As the glasses empty, the questions taste deeper to turn playful banter into an emotional warfare.

It’s raw, real, and devastating in the best way.




Teatro Tomasino will bring the play in full circle as their Apprentice Showcase this season with the theme of “Sisid”— to dive into the great depths of theatre. The production will showcase the talents of their apprentices as they foster what they’ve learned in their first year in the organization. Entering the room will be a production that promises not only to strike the heart, but also the soul.

Twenty Questions will be staged on May 28, 2025 at 2PM and May 29, 2025 at 11AM, 1PM, and 2:30PM to be held at the UST St. Raymund de Peñafort Building – Rooms 102 and 104. For ticket inquiries and more information, visit Teatro Tomasino – UST on Facebook and Instagram or contact Eirylle Belen (09694051157) and Vincent Espinoza (09266930176).

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