BREAKING

Friday, May 24, 2019

Blogging About the Real Versus the Entitled Version



Wazzup Pilipinas!

It’s a joy to be a portal of information of mostly Philippine news, products, events and opinions. If you have stories you want to share with the world, let's collaborate. Let’s have a collective advocacy campaign, to ensure that our voices are heard and the knowledge gained through our partnerships be forever ingrained in our minds and practiced in our everyday lives.

However, we are often torn between two powerful longings – to be the most in-demand by keeping positive and ignoring or setting aside shortcomings and faults of the brand (or anything comprising it including management, marketing and PR, and/or event organizers), or to be as frank and honest in your features and reviews because there should be no room for cover-ups.

Bloggers are kings and queens, knights and renegades, liars and honest men – playing a deadly game for control of the Kingdoms of blogging community, and just like in GOT, to sit atop the Iron Throne ...but still longing to be proclaimed most benevolent among fellow bloggers.

That moment when factions rise is when we  lose credibility. It doesn't have to be a single voice since we were all called upon to offer our individual judgement. Enough with the mob mentality. Talk or forever be silenced as just an expendable knight without his horse. That horse may be inferior compared to you, but it helps take you faster and more conveniently to your destination. But you wanted more and seek a carriage, forgetting it still needs a horse to make it move.

Overwhelmed, underwhelmed or just pasang-awa right smacked in the middle!

When we blog or vlog about events or brands, it's either of the three. Pwede rin ba percentage? Like ..."compared to other milk tea brands, this one has 100% of my preference for packaging and design, and 40% when it comes to taste, 0% when it comes to customer service... ang suplada ng order taker eh ang taba-taba at mukhang butanding naman...lol."

So kapag nabitin o hindi satisfied ang blogger/vlogger sa isang event o collab, magrereklamo ba dapat tayo? o ok labg ba maglabas na lang ng blibd items tutal safe naman yata against cyber libel dahil walang nababggit na names?

Mas bilib ako sa mga nag rereview about a brand (product, service, personality, etc) without announcing that they are bloggers/vloggers.

Because brands tend to pamper and become the best version of themselves thus could be giving too much of what the actual is.

Our readers need to know the real score and not the "entitled" version.

Palibhasa our decisions are being influenced by the loots, tokens, perks, freebies, etc., that most of us are getting so brands would tend to over compensate in exchange of positive reviews.

As a blogger, I will support only good brands (even without any kind of sponsorship) and remain issue-based.

But no matter how busy I am, I would always find time to extend a helping hand towards those in need of my assistance.

Walang personalan? Meron syempre kasi nga blogger. That's how it was meant to be. That is why blogs are more credible than trad media because bloggers are supposed to be experiential, and thus critical and truthful about everything.

Let us not fear being ganged up by misguided entities. Because at the end of the day, ang blogging ay parang voting privilege natin. Sana nga na may katapat na indelible ink ang inilalagay na palatandaan sa atin para makita rin ng iba na we are responsible for whatever we have written or talked about.

Thursday, May 23, 2019

PH Films Win Big at ASEAN Int’l Film Festival & Awards


Wazzup Pilipinas!

The Philippine delegation for the fourth ASEAN International Film Festival & Awards (AIFFA) bagged three (3) major awards during AIFFA’s Red Carpet Gala Night held last April 27, 2019 at the Pullman Hotel in Kuching, Sarawak in Malaysia.

This year, eight (8) Filipino films were shortlisted, and among these, the multi-awarded film “Signal Rock” directed by Chito Roño produced by Regal Entertainment took home the Best Film. “Signal Rock” was also featured in Pista ng Pelikulang Pilipino 2018 and won the Critics’ Choice Award.

Filipinos’ acting prowess was also recognized during the film festival as Kapuso child star Barbara Miguel received the Best Supporting Actress for her performance in Carlo Obispo’s “1 2 3 (Wan-Tu-Tri)” from TBA Studios and late indie actor Kristoffer King won the posthumous Best Actor for his role in HF Yambao’s “Kristo” from Eichef Films. Meanwhile, Gawad Urian nominee Timothy Castillo is featured in Malaysian film “Crossroads: One Two Jaga,” which garnered accolades at AIFFA.

Filipino delegates also participated in the Philippine Cinema Night sponsored by the Film Development Council of the Philippines (FDCP), the country’s film agency.

“We are very proud of our winners who continue to promote Philippine cinema on a global level. AIFFA showcases the different voices that are truly distinct in the region, and we are pleased that they continue to give recognition to our talents and stories,” said FDCP Chairperson and CEO Mary Liza Diño.

The biennial film festival AIFFA celebrates Southeast Asian films from ten (10) ASEAN countries, including the Philippines, Brunei, Cambodia, Indonesia, Laos, Malaysia, Myanmar, Singapore, Thailand, and Vietnam.

AIFFA took place from April 25 to 27, 2019 in Kuching, Sarawak.

Last Call for Entries to the 69th Palanca Awards



Wazzup Pilipinas!

The Carlos Palanca Foundation, Inc., the sponsor and organizer of the 69th Carlos Palanca Memorial Awards for Literature, is reminding aspiring authors to submit entries before the deadline of 6pm on 31 May 2019.

This year’s edition of the country’s longest-running and most prestigious literary contest is accepting entries in all of its 22 categories:

· Novel and Nobela categories

· English Division – Short Story, Short Story for Children, Essay, Poetry, Poetry Written for Children, One-act Play, and Full-length Play;

· Filipino Division – Maikling Kuwento, Maikling Kuwentong Pambata, Sanaysay, Tula, Tulang Para sa mga Bata, Dulang May Isang Yugto, Dulang Ganap ang Haba, and Dulang Pampelikula;

· Regional Languages Division – Short Story-Cebuano, Short Story-Hiligaynon, and Short Story-Ilokano.

· Kabataan Division – Kabataan Essay and Kabataan Sanaysay

o Kabataan Essay: “At a time when spreading of misinformation is getting common, what can you do to help people, especially the youth, search for the truth?”

o Kabataan Sanaysay: “Sa panahon na laganap ang pagkalat ng maling impormasyon, paano mo matutulungan ang mga tao, lalo na ang kabataan, na hanapin ang katotohanan?”

Participants may submit only one entry per category. Published/produced works which were first published or first produced between 1 June 2018 to 31 May 2019 and/or unpublished/unproduced works may be entered in the contest. For the Novel and Nobela categories, published works which were first published within a period of two (2) years prior to 31 May 2019 and unpublished works may be submitted. Only unproduced works may be entered in the Dulang Pampelikula category. A work which has been awarded a prize in another contest before 6pm of 31 May 2019 is not qualified.

Contest rules and official entry forms are available at Palanca Awards’ official website,www.palancaawards.com.ph

Entries may be submitted personally or via courier at the Palanca Foundation office at Ground Floor, Greenbelt Excelsior Bldg., 105 C. Palanca Street, Legaspi Village, Makati City. All submissions must be printed copies. The Carlos Palanca Foundation will NOT accept online or email submissions for all categories.

All winners will be honored in a special ceremony later this year. Contact the CPMA office at cpmawards@gmail.com or at (632) 843-8277 for further inquiries and other concerns. Ask for Leslie B. Layoso or Ester Alfaro.
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