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Wednesday, March 27, 2019

New York.Director Joe Barros Holds Masterclass on Musical Theater on March 31


Wazzup Pilipinas!

Calling all Writers, Composer, Librettists, Lyricists, Directors, Music Directors, Choreographers, Music & Theatre Students, Teachers, and Musical Theatre Lovers !!!!!

New York-based Broadway Director, Choreographer and Writer JOE BARROS will be in Manila to hold a MASTERCLASS ON CREATING AND DEVELOPING NEW MUSICALS on Sunday, March 31, 2019 from 9 AM to 6 PM at The Opera Haus, 3657 Bautista Street, Brgy. La Paz, Makati City.

This is a full day musical theatre intensive about the process of incubating and developing a new musical from the ground up. Barros will coach and guide participants on the various processes of developing a new musical and will work closely with each participant on his/her musical material. No matter where their shows are in its developmental stage, Joe will guide the participants through a unique and innovative process. 





Participants will learn from watching Joe guides their colleagues, and will also receive first-hand advice, guidance, and support. Barros will explore, review, and investigate the material from the point of view of an American director, playwright, choreographer, producer, and incubator of new musicals to give participants the tools needed for a potential Broadway bound musical.

Barros has a passion for creating original musicals that challenge audiences through provocative stories and innovative storytelling. He believes that it is a time like no other to be creating theatre. As the world is rapidly changing, it is important to find new and exciting ways to tell stories that bring us together, rather than divide us.

Joe Barros is the Artistic Director of New York Theatre Barn, a Manhattan based non-profit theatre company dedicated to incubating original musicals that challenge audiences through provocative stories and innovative storytelling.

Since the company’s inception in 2007, Joe has created 3 core-programming platforms to develop new musicals in front of a live audience. The company most recently developed Sam’s Room - a musical inspired by real stories of nonverbal teens who find a way to communicate, and Eastbound - a musical told in Mandarin Chinese and English about a Chinese adoptee who needs a bone marrow transplant from a blood relative to survive.

Joe is currently writing a musical about Ryan White, the teenage hemophiliac who became the poster child for AIDS in the 1980’s (with an all-teenage cast), and is also developing the new musical Mommie Dearest with Christina Crawford and David Nehls. Some of his Broadway works as associate director are Gigi starring Vanessa Hudgens and Victoria Clark and the upcoming Broadway revival of Titanic.

Fees for Main Participants is Php4500 and Observer/Audience Participants is Php2500. Slot is limited, so reserve now!

For more info, you may contact 09154478959.

FDCP's Call for Documentary Projects for International Film Lab Extended


Wazzup Pilipinas!

Following its open call for long feature fiction films, the Film Development Council of the Philippines (FDCP) has extended its deadline for submission of Filipino documentary projects for the First Cut Lab Docs to March 31, 2019.

Along with its feature project counterpart, the First Cut Lab Docs is an international project and editing lab focusing on developing and elevating Filipino documentaries. Finalists and grantees of SineSaysay Documentary Lab and Showcase will participate and will get the chance to discuss their ongoing projects with selected experts during working sessions from April 11 to 17.

Two (2) Filipino creative documentary projects in post-production stage that merge artistic ambition and high visual quality will be selected by FDCP and will undergo an intensive post-production workshop.

International industry professionals will mentor the selected filmmakers and provide insightful feedback to help Lab participants produce the best version of their output. These include film editor, trainer, director, and festival programmer Benjamin Mirguet and film editor and DART film founder Natasa Damnjanovic.



For more information, read the official guidelines below.

FIRST CUT LAB DOCS 2019 GUIDELINES

FIRST CUT LAB FEATURE + DOCS 2019
The Film Development Council of the Philippines (FDCP) furthers its programs to encourage Filipino filmmakers to develop and elevate their films and stories, including documentaries, by international standards by bringing the First Cut Lab to Manila.

The First Cut Lab Docs invites film teams with a documentary at the finishing stage to present their rough cut to industry professionals in order to get comprehensive feedback and advice.

The idea is to support filmmakers in their editing process by screening their drafts and discussing them with a mentor, a film team, and selected experts during working sessions.

There will be an open call for documentary projects in the post-production stage. Two (2) Filipino documentary film projects will be selected by FDCP and will undergo an intensive post-production workshop. This is in addition to the four (4) projects under the FDCP’s SineSaysay Feature Documentary program.

SELECTION OF PROJECTS
Two (2) documentary projects in post-production will be selected as Lab participants.
  • The submission materials of all eligible applicants will be reviewed by a Selection Committee and will be shortlisted.
  • The FDCP Selection Committee and First Cut Lab mentors shall confer to select the final selection, ensuring the diversity of the lineup.
  • FDCP announces the final selection of projects by the end of March.

ELIGIBILITY AND SUBMISSION REQUIREMENTS
The First Cut Lab Docs is open to all Filipino filmmakers with documentary projects in the post-production stage.

The film’s director and producer or editor must attend the whole duration of the First Cut Lab Docs. Applicants must submit the following (in English format):
  • Secured online link of a minimum of 20 minutes of the scenes from the film. Scenes can be separate and can be in rough cut.
  • Logline (50 words)
  • Synopsis (1 page)
  • Director’s statement (Up to 2 pages)
  • Producer’s statement (1 page)
  • Director’s film biography (1 page)
  • Producer's film biography (1 page)

SUBMISSION OF ENTRIES AND AGREEMENT
Submission to the First Cut Lab Docs constitutes an agreement to all rules, regulations, and conditions contained in this document. Entries and all requirements can be sent to the following:

Subject: First Cub Lab Docs Submission - (Project Name)

Deadline for submission of entries is on March 31, 2019.

DOE Takes PIEEP to Visayas


Wazzup Pilipinas!

The Department of Energy (DOE), in partnership with the United Nations for Industrial Development Organization (UNIDO), Department of Trade and Industry (DTI), Department of Science and Technology (DOST), Department of Environment and Natural Resources (DENR), and the Global Environment Facility (GEF), conducted on Wednesday (20 March) the Cebu leg of the terminal workshop for the Philippine Industrial Energy Efficiency Project (PIEEP).

The workshop highlighted the implementation of the Energy Management System (EnMS) and how it is applicable in making energy efficiency and conservation (EE&C) a way of life for all Filipinos. It also sought to increase the consumers' level of awareness and instill the values of energy efficiency and conservation.

Representatives from FUNAI Electric Cebu, Inc., SMYPC Cebu Glass Plant, MEPZ Mixed Gases Corp., and Summit Consultancy & Research Services also shared their experiences and best practices on the implementation of EnMS with System Optimization.

A total of 51 representatives from both the public and private sectors attended the workshop.

The activity aims to reinforce the DOE’s commitment to provide access to cost effective energy in the ever-shifting global business environment.
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