Olazo pays tribute to Monet in “Light Receptacle Café”

Wazzup Pilipinas?!

 

Filipino artist Jonathan Olazo’s latest art exhibition “Light Receptacle Café” is a beautiful reimagining of French master Claude Monet’s devotion to light and time, filtered through a contemporary Filipino lens.

The show, which opened on October 18 at the Alliance Française de Manille, is a testament to Olazo’s distinct artistic voice.

Olazo explores the enduring fascination with luminosity that one of the founding fathers of Impressionism championed through his layered acrylic and mixed-media works.

Curated by his wife, painter conservator Lyn Yusi-Olazo, the exhibition invites visitors to experience light not just as a subject, but as a metaphor.

Olazo’s process, as described by his curator, is as dynamic as his art. He gathers nuances and signs from his daily life and his surroundings, bringing them into his paintings. He even approaches art like a music DJ, sampling visual cues and collaging them onto his canvases.

Art patrons were quick to applaud the artist’s daring and personal vision. Rosita Lara “Otty” Lumagui, managing director of Worldwide Resource Solutions Philippines Inc. and CEO of Bocca, the event’s food sponsor, praised how Olazo’s “creations oscillate between a vigorous masculinity and a delicate femininity, entirely dependent on the viewer’s register and interpretation.”

AFM executive director Olivier Dintinger noted how the powerful paintings transported him back to Paris and the Musée Marmottan, where he first admired Monet’s work.

Dr. Eric Zerrudo, executive director of the National Commission for Culture and the Arts, connected the work to art history, citing the discourse of how Filipino heroes encountered Impressionism in Paris in the 19th century. He praised Olazo for capturing the same phenomenon of “light and temporality.”

Architect and art advocate Michael “Mico” Liwanag shared that he has witnessed Olazo “grow as an artist, always pushing boundaries,” noting that his work ethic is an inspiration.

Olazo is not only influenced by French painting but also by French intellectual life. He is a fan of French critics and writers, especially Roland Barthes and Charles Baudelaire. He cites Baudelaire’s studies on modern life and the concept of the flaneur – someone who finds poetry and beauty in the mundane.

Olazo also finds beauty in the photographs he took around Metro Manila, drawing a comparison between those images and the “calm and majesty” of Monet’s famous works.

The exhibition is a must-see for those who appreciate abstraction, movement, and the philosophical musings found in the passage of time.

Olazo’s work allows the audience to experience what happens when light is allowed to tell its own stories.

The “Light Receptacle Café” runs until November 15 at the Alliance Française de Manille, 209 Nicanor Garcia Street, Bel-Air II, Makati City. For inquiries, email cultural.afmanille@gmail.com.

When Light Goes Out Too Soon: What May Have Led to Emman Atienza’s Death — And How We Stop It From Happening To Others

Wazzup Pilipinas!? 

Trigger warning: this article discusses suicide, self-harm, and cyberbullying. If you’re in crisis, scroll to the bottom now for immediate help resources.

Emman Atienza, aged 19, was found dead in her Los Angeles home on October 22, 2025. 

According to the Los Angeles County Medical Examiner's Office, the cause of death was ruled as suicide, specifically by ligature hanging. 

Her family announced the unexpected passing on Instagram two days later, calling her “a source of joy, laughter, and love” and noting her openness about her mental health journey. 

Emman was the daughter of Philippine TV personality Kim Atienza (“Kuya Kim”) and Felicia (Hung) Atienza. 

She built a significant social-media presence (hundreds of thousands of followers on TikTok and Instagram) and spoke candidly about mental-health struggles, including self-harm and needing a break from social media. 

In recent months she had disclosed feeling the pressure of social media fame, authenticity issues, cyberbullying and death threats. 

Emman’s death underscores how mental-health challenges can affect anyone, regardless of public image, family background or apparent success. One article reflects: “Mental health doesn’t check your last name before it enters a room.” 

The time-leading clues: she posted a final video on Oct 20 showing outdoor/friends adventures. 

 And two days earlier she reportedly messaged her mother saying she was “in an emergency… but worry not, there’s no self-harm” and needed to go to a therapy centre. 

The family acknowledged social-media criticism and public scrutiny she faced. 

The family has not publicly detailed every factor that led to this outcome, and privacy is being respected in many reports.

While mental-health issues, social-media pressures and cyberbullying are discussed, it would be speculative to attribute her death to any single cause without hearing more exhaustive official or family disclosures.

If you or someone you know is struggling with suicidal thoughts or mental-health crises: you are not alone, and help is available.

Online fame, social media metrics, public-image stress all can contribute to hidden burdens.

Kindness, checking in on friends, reducing stigma around therapy, recognizing when someone says they’re in crisis — all matter.

On October 22, 2025, 19-year-old Emman (Emmanuelle) Atienza — a vibrant Filipino influencer who openly wrote about mental-health struggles — was found dead in her Los Angeles home. The Los Angeles County Medical Examiner ruled the cause of death suicide by ligature hanging. The announcement stunned fans and launched an urgent public conversation about the unseen toll of internet fame. 

Because suicide is almost always multifactorial, any honest exploration must avoid simplistic blame. Below I map the possible and documented pressures that can push vulnerable young people toward this final act, and then translate those lessons into concrete, evidence-based prevention strategies for families, platforms, peers and policymakers.

Emman had been candid on social media about long-standing mental-health problems, describing treatment-resistant illness from early adolescence and a relapse after previous recovery. She had recently moved to Los Angeles to pursue her career and had told followers she was taking a break from social platforms because posting felt inauthentic and anxiety-provoking. 

In the weeks before her death she experienced online harassment — hostile comments and, by some reports, death threats — and had briefly deactivated accounts to “reset.” Public tributes from family and other creators emphasized her openness about struggles and the pressure she faced. 

These facts do not explain why she died — only that several known risk factors were present. Researchers and public-health bodies warn that when mental illness, sustained online harassment, social isolation and access to lethal means converge, risk escalates. 

Possible contributing factors (what the evidence and context suggest)

Pre-existing, treatment-resistant mental illness.

Emman reportedly battled mental-health conditions since childhood and had relapsed; long-term, treatment-resistant conditions raise baseline risk and make stressors harder to weather. 

Chronic online harassment and cyberbullying.

Cyberbullying is associated with higher rates of depression, suicidal ideation and attempts; being publicly targeted multiplies the humiliation and the sense of inescapability because online content is persistent and visible to large audiences. 

Performer’s paradox — “authenticity” vs. metrics.

For many creators the work of being authentic becomes a job: content must please an algorithm, attract likes, and withstand scrutiny. This emotional labour can erode self-esteem, worsen anxiety, and make retreat feel impossible. Studies show not all social media use is equal — how it’s used, and whether it becomes compulsive or identity-defining, matters for risk. 

Relocation and reduced social anchors.

Moving countries to pursue a career can mean being farther from family and familiar supports at precisely the moment pressure mounts. Isolation is a known risk factor when combined with other stressors. 

Amplification by platform design.

Algorithms that reward sensational content, comment sections that enable anonymous cruelty, and slow moderation create an environment where vulnerability is exposed and abused. Public-health reviews advise that social media can be harmful or protective depending on context and design. 

What evidence-based prevention looks like — a practical blueprint

Suicide is preventable. WHO’s LIVE LIFE framework and national public-health guidance recommend population, community and individual actions. Below are concrete, actionable strategies drawn from that evidence base and from social-media/suicide research. 

For families and friends

Learn the warning signs (withdrawal, talking about being a burden, sudden calm after depressed mood, giving away possessions). Take any mention of self-harm or “final” language seriously. 

Keep lines of non-judgmental communication open. If someone says they’re in crisis, ask directly, listen, and stay with them until help arrives. Encourage — don’t force — professional care. 

When possible, reduce access to lethal means (secure medications, sharp objects, etc.). WHO highlights limiting access to means as one of its top interventions. 

For creators and influencers

Build a “safety net” before growth: a therapist/clinician, a trusted manager or friend who can step in, and boundaries around content (e.g., no live reading of comments; pause features).

Use platform safety tools: disable comments, filter keywords, moderate replies, and delegate community management to a trusted moderator who can remove threats quickly. The AAP and HHS recommend platform-level risk mitigation for vulnerable youth. 

Normalize breaks and share them as self-care — not failure. When quitting feels shameful, creators hide struggles; destigmatizing time-outs reduces the pressure to perform.

For platforms and industry

Faster, trauma-informed moderation of harassment and threats; proactive detection of targeted abuse campaigns.

Default protective settings for young users and creators (comment filters on by default, easy reporting, mental-health resources linked when self-harm content appears). Research shows social media can be used to detect risk signals if platforms collaborate with public-health authorities responsibly. 

For media and public conversation

Responsible reporting: avoid sensational language, do not publish explicit details about method, include help resources and emphasize suicide is preventable (WHO media guidelines). Responsible coverage reduces contagion risk. 

For governments and health systems

Fund accessible mental-health services (teletherapy, subsidized care) and strengthen 24/7 crisis lines. WHO recommends early identification, timely follow-up and community programs targeted at adolescents. 

Immediate, practical steps you can take today

If you see someone struggling online:

Don’t pile on. Report harmful content and, if safe, privately message to ask if they’re okay. Simple messages like “I’m here — do you want to talk?” can change a day. 

If you are struggling:

Reach out now. If you are in the Philippines, these crisis resources are available 24/7: NCMH Crisis Hotline — Dial 1553 (landline) or 0917-899-8727 (cell); Natasha Goulbourn Foundation / Hopeline PH — 2919 (Globe/TM) or 0917-558-4673. Other local crisis lines and details are listed by mental-health organizations. If you are outside the Philippines and in immediate danger, call local emergency services. 

In memory — and in action

Emman Atienza’s death is a tragic reminder that visibility and followers do not shield someone from pain. Public attention can help if we turn grief into change: safer platforms, better funded mental-health care, kinder internet cultures, and families prepared to act early.

If this piece leaves you feeling heavy — please call a hotline, message a trusted person, or use a crisis chat. People who care are a call away. If you’d like, I can prepare a shareable checklist for creators (safety steps, moderator scripts, crisis plan) or a short social-media post that responsibly points followers to help resources. Which would be most useful to you right now?

Sources and further reading (selected): People; Entertainment Weekly; Deadline; Los Angeles County Medical Examiner reporting; peer-reviewed research on cyberbullying and suicide risk; WHO LIVE LIFE suicide prevention guidance; U.S. HHS and AAP social-media safety advisories; Philippine NCMH and Hopeline resources. 

— If you or someone you know needs immediate help, please call the hotlines listed above now. You are not alone.

Paco Park After Dark: A Night of History and Mystery

 

Wazzup Pilipinas?!

Last October 31, the National Parks Development Committee gave visitors a unique – and perhaps chilling – opportunity to explore the history and mystery of Paco Park with a special, one-night-only walking tour.

Dubbed “Paco Park sa Dilim,” the event was facilitated by NPDC Deputy Executive Director Jezreel Gaius Apelar.

Tour participants bravely traversed the grounds at night, uncovering the park’s past and tracing its journey from a somber burial ground to a beloved spot for recreation and reflection.

Located at General Luna St. and the east end of Padre Faura St. in Paco, Manila, the park was originally known as Cementerio General de Dilao.

Apelar revealed it was built as a cemetery for victims of a devastating cholera outbreak during the Spanish colonial period. Many Spanish and Filipino aristocrats were buried there before the land was reclaimed and transformed into a national park in 1966.

The circular, one-hectare recreational garden is now considered a symbol of contemporary Filipino landscape architecture, thanks to improvements spearheaded by National Artist for Architecture Ildefonso P. Santos Jr.

The circular shape features two forts: an inner one – the original cemetery – with hollow walls that served as niches, and a later, outer wall of thick adobe that was converted into pathways. The thick walls still contain burial vaults, some of which are occupied.

During the walking tour, Apelar shared tales of the historical figures connected to the grounds. Most notably, the original burial spot of the Philippines’ national hero, Dr. Jose P. Rizal, was a key stop.

Following his execution at Bagumbayan on December 30, 1896, Rizal's remains were interred here until August 17, 1898, when they were exhumed. They were later reinterred at the monument in Rizal Park Luneta on December 30, 1912.

The park also holds the tragic history of the three martyr priests, Fr. Mariano Gomez, Fr. Jose Burgos, and Fr. Jacinto Zamora – collectively known as GomBurZa. They were executed and buried on the cemetery grounds on February 17, 1872, after being falsely accused in connection with the Cavite Mutiny.

The tour began at the park's center and proceeded to the St. Pancratius Chapel, which is managed by the San Vicente de Paul Parish and the Vincentian fathers from the nearby Adamson University.

Today, Paco Park, which the NPDC (an agency of the Department of Tourism) is mandated to develop and manage, is far more than a historical monument. It's a favorite backdrop for modern-day Manila.

The beautiful circular park has become a popular location for wedding and prenuptial photoshoots. It also serves as a vibrant venue for cultural programs, free concerts, TV/film shootings, private gatherings, and even rehearsals for school performances. Whether you're a history buff or a couple looking for a romantic setting, Paco Park offers an intriguing blend of the past and the present.