BREAKING

Saturday, September 27, 2025

The largest Tongits prize pool competition in the country, the third GTCC first prize of 5 million Pesos was won by a tailor from Rizal.


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Jomar Sapo-an, a humble tailor, emerges victorious in the GameZone Tablegame Champions Cup: September Arena…“Maraming maraming salamat sa lahat ng bumubuo ng GameZone, kung di po dahil sa kanila, wala po ako rito.” 


This GTCC is the third Tongits competition held by GameZone. It is currently the most influential national-level competition in the Philippines and the Tongits competition with the largest prize pool in the entire Philippines.


GameZone presents the “GameZone Tablegame Champions Cup (GTCC): September Arena”, a 2-day offline tournament which ran from September 20 to 21, held at the Filinvest Tent in Muntinlupa, Metro Manila, bringing in the top 36 seasoned players from all over the Philippines to compete in the September Arena for the prestigious golden trophy and a prize pool of ₱10,000,000, the largest prize pool for a Tongits competition in the entire Philippines.


Cover photo: A tailor from Rizal wins and raises the GTCC: September Arena Championship Trophy



Gamemaster Integrated Inc. President, Mr. Rafael Jasper Vicencio presents the grand prize and trophy to the winner of the GTCC: September Arena


GameZone will provide a ₱10 million prize pool for each competition, with the goal of showcasing the skill, perseverance, and shining qualities of the Filipino people through professional competitive play. All participants will be selected through online games, giving everyone an equal chance to transform their lives and showcase their talents.


In addition, each competition will allocate ₱1 million for public welfare projects and community development initiatives. This effort reflects GameZone’s commitment to continue bringing entertainment while also promoting responsible gaming and meaningful contributions to society.


As GameZone culminates the final day of the tournament,the top 2 players Jomar and Erlinda are both reserve players who only went to the event for their love of the game, not knowing that they will both be facing each other in the finals, they brought out their competitive nature as Erlinda won the first round of the finals leading the game by 10,600 points, but then things took a quick turn with Jomar’s exceptional performance and mastery of the game, he was able to take the lead by 500 points to win a championship, enduring to the end and going all out in the final game to become the GTCC September Arena’s grand champion. 


Jomar, the ultimate winner, received the grand prize of 5 million pesos and the golden trophy with Mr. Rafael Jasper Vicencio, President of Gamemaster Integrated Inc., to present the prize and trophy to the grand champion of the GTCC: September Arena tournament. 


 Gamemaster Integrated Inc. President, Mr. Rafael Jasper Vicencio presents the grand prize and trophy to the winner of the GTCC: September Arena


In an exclusive interview with the grand champion, Sapo-an still in shock after winning the tournament, raises his hands up to the skies…”nag papasalamat po ako kay God at sa pamilya ko” 


Sapo-an and his family reside in Rizal, but are originally from Bohol. He says that it was his wife, his number one fan who pushed him to join but was nervous as it was his first time ever attending a Tongits tournament. With him now being the grand champion, he feels every bit of happiness… 


“Inaalay ko po ang panalong ito sa pamilya ko po, lalong lalo na sa asawa ko, na number one fan ko, supportive sa akin yun, sya ang nag-push sakin na pumunta rito, nag pray lang din po ako kay God, na kung para sa akin, para sa akin.”


 Sapo-an, raises his hand up to the skies as he becomes the champion of the tournament


When asked what he will be doing with his winnings…”Unang una po sa lupa’t bahay, para po sa pamilya, bibili po kami ng lupa at bahay, sa ngayon po di pa po namin napapagusapan kung sa Maynila o sa Bohol.” 


With the trustworthy prizes and fair competition system, it brought out the players' competitive spirit and, after winning the prize, Sapo-an showed his sportsmanship spirit by also giving credits to his fellow players stating that all of them are masters of the game and it was not easy, but left it all to luck on the cards. He stated that his playing experience comes from playing card games and playing through the GameZone application on his phone. This gave him an unforgettable experience throughout his whole journey during the tournament, as he emerged as the champion in the GTCC: September Arena. After the tournament, he plans to go home to hug his wife and two kids. 


What sets GameZone apart is its commitment to creating memorable experiences in and out of the competition. Players were not only celebrated for their talent but also treated with hospitality deeply rooted in Filipino values. Each participant was allowed to bring up to 1 companion who enjoyed an all-expense-paid, 5-day hotel stay complete with food and accommodations—a gesture that reflects GameZone’s dedication to making the journey unforgettable for both players and their families.


At the heart of GameZone as a brand is the desire to promote qualities that not only speak to the competitive nature of gaming but also to the virtues that can inspire and uplift society, with the event being labeled as the biggest Tongits table game tournament in the Philippines. The tournament opened with an air of excitement with participants and players from different backgrounds making their way to the event with 36 players given an opportunity to create history and were grouped randomly as they went head-to-head with each other in one of the most challenging long hours and rounds of their playing career, making their way through the elimination round and finals giving each player a platform to shine.


Passion meets purpose: GameZone donates 1 Million Pesos to the Kalusugan Plus initiative, chosen by the community received by the BingoPlus Foundation  


All of the participants were recognized during the 2-day tournament creating another milestone event with the brand raising a platform where everyone can join, win and be part of GameZone another highlight of the event was the donation given by GameZone to the initiative that was voted by the public community, GameZone was able to donate an amount of  ₱1M donation to the Kalusugan Plus initiative, with BingoPlus Foundation’s Executive Director Ms. Angela Camins-Wineke there to accept donation, which will go to the chosen initiative by the  community for support and development.


Overall, the GameZone was able to set a milestone moment as it set records and opened new doors of opportunities, promising an exciting and entertaining platform for future players of the game. The tournament was not only a game of cards for the players, because it also fostered champions for change, with proof that the love for Filipino entertainment is as strong as ever.  This commitment to excellence, combined with a strong focus on public welfare, positions the GameZone brand as a leader in the gaming industry, paving the way for even greater achievements in the future.


Above all, GameZone promotes responsible gaming. Play Responsibly. Play for fun only. Gambling is not an acceptable way of livelihood, and it does not solve any financial problems. To find out more about the tournament, just visit the official website of GameZone—gzone.ph. 


When Reality Becomes Rendered: The Surge of Free AI in Image and Video Creation


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In the age of information overload, truth and fiction are often separated by nothing more than pixels. Artificial Intelligence, once a futuristic concept reserved for laboratories and science fiction, has now burst into the palms of ordinary people. With free apps and online platforms offering image and video generation at the tap of a finger, AI is no longer just a tool for tech elites—it has become a mass phenomenon reshaping creativity, journalism, marketing, and even political discourse.


The Democratization of Creation

What was once the realm of professional designers, animators, and filmmakers is now accessible to students, bloggers, meme creators, and digital activists. Apps powered by advanced machine learning models allow users to turn a grainy photo into a polished news clipping, transform family pictures into cartoons, or generate entire cinematic scenes that look eerily real.


Unlike the expensive software suites of the past, many of today’s AI platforms—ranging from text-to-image tools to video generators—offer free tiers, giving everyone a taste of creative power without financial barriers. This “freemium” model has become the cornerstone of AI’s popularity: it’s not just about what AI can do, but who it allows to do it.









The New Journalism Canvas

For digital publishers like WazzupPilipinas.com, AI offers more than convenience; it offers reinvention. Imagine a traditional newspaper clipping being reborn through AI, seamlessly rebranded with new headers, layouts, and highlights—instantly making yesterday’s news today’s viral post.


The use case is clear:


AI allows media outlets to customize visuals for their brand identity.


Automated summarization tools transform complex stories into engaging infographics.


Video generation can recreate events, simulate interviews, or dramatize investigative reports for social media audiences hungry for dynamic content.


The power lies not only in the ability to report news but to visualize it compellingly, engaging readers who have grown numb to plain text.


The Viral Playground of Free AI

Why has AI exploded into mainstream culture? The answer is simple: accessibility. TikTok creators can turn scripts into animated shorts. Facebook users can generate satirical “news clippings” for their causes. Students use AI for presentations. Activists use it for propaganda. Entrepreneurs craft sleek promotional material without hiring an agency.


The allure of free usage cannot be overstated. A generation raised on DIY culture now has access to tools that rival Hollywood effects or newsroom graphics. The only currency is imagination—and perhaps an internet connection.


The Double-Edged Sword

But with accessibility comes responsibility, or rather, the glaring absence of it. Free AI platforms democratize creativity but also amplify misinformation risks. A fabricated news clipping can look as real as a legitimate one. Deepfake videos blur the line between entertainment and manipulation.


As AI-generated content becomes indistinguishable from authentic media, the question looms: are we heading toward an era where seeing is no longer believing?


From Novelty to Necessity

Despite the risks, the momentum is unstoppable. What began as novelty apps for fun—cartoon filters, AI voice-overs, fantasy portraits—has evolved into an essential toolkit for journalists, marketers, educators, and even governments. The free availability of these tools accelerates adoption at an unprecedented pace.


AI isn’t just transforming how we create; it’s redefining who gets to create.


The Future is Rendered

We are entering a time where every smartphone owner is also a potential media powerhouse. The question is not whether AI will dominate the way we tell stories, but how responsibly we will wield this newfound power.


Free AI apps have already proven their cultural magnetism. From meme wars to political campaigns, from grassroots journalism to viral advertising, the battleground of ideas is now shaped by pixels that are not captured, but generated.


The rise of AI in image and video generation is more than a technological shift—it is a cultural revolution. And like all revolutions, it offers both liberation and peril.


In the end, the power to create, to persuade, and to inspire lies not in the AI itself, but in the choices of those who use it.

The Weight of Lies: How a Bogus Testimony of Orly Guteza Turned Into a Political Weapon


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In the circus of Philippine politics, even the weight of a suitcase can decide the fate of powerful men.


During a Blue Ribbon Committee hearing, witness Orly Guteza painted a picture so sensational it should have collapsed under the weight of its own absurdity. “Ang bigat ng maleta,” he declared. Heavy, indeed—but not heavy enough to hold up against basic math.


When fellow participant Discaya quipped that a million pesos weighs roughly one kilogram, the illusion shattered. Guteza’s claim of lugging around 48 kilograms of cash on his own was laughable. From the looks of him, he couldn’t have hauled that kind of load without collapsing under the strain.


Then came the computation that turned the story into a parody of itself. To move around 46 suitcases stuffed with cash—over ₱2 billion in total—you’d need more than just bravado. The load would weigh a staggering 2.4 tons, with each suitcase tipping the scales at 53 kilograms. That’s heavier than an SUV. Imagine it: three large vans just to carry the money, and at least two dozen men to haul, lift, and guard it.


Yet Guteza’s affidavit, the very foundation of his testimony, mentioned none of these logistical impossibilities. Worse, the affidavit itself was later disowned by Atty. Petchie Rose Espera, whose signature and notarial stamp appear on the document.


By any measure of truth, Guteza’s testimony should have collapsed in on itself. But in Philippine politics, truth is often irrelevant.


Because the point wasn’t to prove facts. The point was to tell a story.


Congressman Rodante Marcoleta, who paraded Guteza as his star witness, got exactly what he wanted. Whether or not the details held up, Guteza’s tale was enough to air the spectacle, enough for the Duterte Diehard Supporters (DDS) to grab onto and weaponize.


In their universe, narrative is king, facts are optional, and reality is always bent and twisted.


Former House Speaker Martin Romualdez, already burdened by accusations of overseeing what many describe as the most corrupt national budget in history, has now been painted as the villain in yet another morality play staged by his rivals. The DDS want him jailed, disgraced, and punished—not necessarily for what he has done, but for daring to preside over the impeachment complaint against Sara Duterte.


And so, despite the glaring holes in Guteza’s story—the impossible weights, the disowned affidavit, the unanswered question from his own coach: “Bakit putol-putol yung affidavit na binabasa mo?”—the narrative lives on.


Because in the DDS world, a bogus testimony isn’t a collapse of credibility. It’s fuel for fire.

A story, no matter how twisted, can burn brighter than the truth.

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