BREAKING

Tuesday, June 3, 2025

๐๐จ๐ฆ๐ข๐ง๐š๐ฌ๐ฒ๐จ๐ง ๐ฌ๐š ๐Š๐€๐Œ๐๐„๐Ž๐ ๐๐† ๐–๐ˆ๐Š๐€ ๐Ÿ๐ŸŽ๐Ÿ๐Ÿ“


Wazzup Pilipinas!?


1. Ang Kampeon ng Wika ay mataas na pagkilala sa mga indibidwal o pangkat na nag-ambag sa pagpapaunlad at pagtataguyod ng alinman sa mga katutubong wika ng Pilipinas.


2. Bukรกs ang nominasyon sa mga indibidwal, samahรกn, tanggapan o institusyon, at mga ahensiyang pampamahalaan o pribadong sektor na may natatanging ambag o nagawa tรบngo sa pagsusulong, pagpapalaganap, pagpapayabong, at preserbasyon ng alinman sa mga katutubong wika sa Pilipinas sa iba’t ibang larang at disiplina.


3. Para sa mga indibidwal, kinakailangang may gulang na hindi bababรข sa apatnapung (40) taรณn. Para sa mga samahรกn, tanggapan, ahensiyang pampamahalaan, at/o pribadong sektor, kinakailangang naestablisa nang hindi bababรข sa limang (5) taรณn.


4. Mayroong katipunan ng mga akda o gawaing nakapag-ambag sa alinman sa mga katutubong wika sa iba’t ibang larang at/o disiplina. (Kinakailangang ilakip sa nominasyon bรญlang pruweba.)


5. Ang mga nominado ay marapat na manggaling sa rekomendasyon ng indibidwal o pangkat.


6. Ang mga nominasyon ay kinakailangang maglakip ng mga sumusunod na kahingian:

⁍ KWF Pormularyo sa Nominasyon (https://shorturl.at/YSM6S) Tiyaking naka-login sa inyong google account.

⁍ Liham nominasyon na nagsasaad ng buod ng kalipikasyon ng nominadong indibidwal o samahรกn at nilagdaan ng nagnomina

⁍ Curriculum vitae (kung indibidwal) o profayl ng organisasyon (kung samahรกn)

⁍ Mga pruweba sa katipunan ng mga akda o gawaing nakapag-ambag sa alinmang katutubong wika sa bansa o sa Filipino


7. Ang nominasyon at iba pang kahilingan ay maaaring dalhin nang personal o ipadala sa koreo sa:

๐‹๐ฎ๐ฉ๐จ๐ง ๐ฌ๐š ๐Š๐š๐ฆ๐ฉ๐ž๐จ๐ง ๐ง๐  ๐–๐ข๐ค๐š ๐Ÿ๐ŸŽ๐Ÿ๐Ÿ“

Komisyon sa Wikang Filipino

2/P Gusali Watson, 1610 Kalye J.P. Laurel

San Miguel, Maynila

8. Ang hulรญng araw ng pagpapรกsa ng nominasyon ay sa ๐Ÿ๐ŸŽ ๐‡๐”๐๐˜๐Ž ๐Ÿ๐ŸŽ๐Ÿ๐Ÿ“, ๐Ÿ“:๐ŸŽ๐ŸŽ ๐ง๐ก.


9. Ang tatanghaling Kampeon ng Wika 2024 ay tatanggap ng naturang gawad sa Gabi ng Parangal sa tutukuying petsa at venue sa Agosto 2024.


10. Para sa iba pang detalye, mangyaring makipag-ugnayan sa Sangay ng Impormasyon at Publikasyon sa pamamagitan ng email sa timpalak.gawad@kwf.gov.ph.


๐’๐ฎ๐ฆ๐š๐ฅ๐ข ๐ฌ๐š ๐’๐€๐๐€๐˜๐’๐€๐˜ ๐๐† ๐“๐€ร“๐ ๐Ÿ๐ŸŽ๐Ÿ๐Ÿ“!


Wazzup Pilipinas!?


Tuntunin:


1. Ang Sanaysay ng Taรณn ay taunang timpalak ng KWF na naglalayong himukin ang mga natatanging mananaysay ng bansa, na ilahok ang kanilang mga akdรข.


2. Bukรกs ang timpalak sa lahat ng mga Pilipino (babae man o lalรกki) nรกsa loob at/o labas man ng bansa, maliban sa mga kawani ng KWF at kanilang kaanak. Gayundin, ang mga nagwagi ng limang beses bรญlang Mananaysay ng Taรณn na ituturing nang Hall of Fame ay hindi na rin kalipikadong lumahok.


3. ๐€๐ง๐  ๐ฉ๐š๐ค๐ฌรข ๐ง๐  ๐ฌ๐š๐ง๐š๐ฒ๐ฌ๐š๐ฒ ๐š๐ฒ ๐ญ๐ฎ๐ง๐ ๐ค๐จ๐ฅ ๐ฌ๐š ๐›๐ข๐ฌ๐ฒ๐จ๐ง ๐ฌ๐š ๐ฆ๐ ๐š ๐จ๐ซรก๐ฅ ๐ง๐š ๐ฉ๐š๐ง๐ข๐ญ๐ข๐ค๐š๐ง๐  ๐ค๐š๐ญ๐ฎ๐ญ๐ฎ๐›๐จ ๐ญรบ๐ง๐ ๐จ ๐ฌ๐š ๐ฉ๐š๐ ๐ฉ๐š๐ฉ๐š๐ฌ๐ข๐ ๐ฅ๐š ๐š๐ญ ๐ฉ๐ซ๐ž๐ฌ๐ž๐ซ๐›๐š๐ฌ๐ฒ๐จ๐ง ๐ง๐  ๐ฆ๐ ๐š ๐ฐ๐ข๐ค๐š๐ง๐  ๐ค๐š๐ญ๐ฎ๐ญ๐ฎ๐›๐จ.


4. Kailangang nรกsa wikang Filipino ang lahok, orihinal, hindi pa nailalathala, at hindi rin salin mulรข sa ibรกng wika. Marapat na hindi ito magkukulang sa 15 pรกhinรก at hindi rin hihigit sa 30 pรกhinรก.


5. Bรญlang saliksik, kailangang sumusunod ang paraan ng pagsulat nitรณ sa mga tuntรบning nakasaad sa KWF Manwal sa Masinop na Pagsulat. https://drive.google.com/.../1oRH4v9ANfIz4ydexCOC958.../view (Tiyaking naka-login sa inyong google account)


6. Pรกra sa pagsusumite ng lahok, ilakip sa isang expandable envelope ang sumusunod:


⁍ Apat (4) na kopyang kompiyuterisadong lahok (Font 12, Arial), may dobleng espasyo, at may isang pulgadang palugit sa bawat gilid na nakaimprenta sa short bond paper na may sรบkat na 8 ½ x 11 pulgada;

⁍ Soft copy (.doc format) ng lahok na nรกsa USB;

⁍ Kinakailangang walang taglay na anumang pagkakakilanlan ng may-akda ang kopya ng lahok. Tanging pamagat lรกmang ang ilalagay sa lahok habang ang sagisag-panulat naman ay isusulat sa pormularyo ng paglahok/entri form;

⁍ Notaryo na nagpapatunay na orihinal ang lahok;

⁍ Entri form/Pormularyo ng paglahok (https://shorturl.at/YSM6S);

⁍ Curriculum vitae o bionote ng kalahok;

⁍ (1) isang 2x2 retrato ng kalahok;

⁍ Photocopy ng bรกlidรณng ID; at


7. Maaaring dalhin nang personal o ipadala sa koreo ang lahok sa:


๐‹๐ฎ๐ฉ๐จ๐ง ๐ฌ๐š ๐’๐š๐ง๐š๐ฒ๐ฌ๐š๐ฒ ๐ง๐  ๐“๐šรณ๐ง ๐Ÿ๐ŸŽ๐Ÿ๐Ÿ“

Komisyon sa Wikang Filipino

2/P Gusaling Watson, 1610 Kalye J.P. Laurel,

Brgy. 640, San Miguel, Lungsod Maynila 1005


8. Pรกra sa onlayn na pagsusumite, ihanda ang sumusunod na soft copy at isumite sa link na ito: https://forms.gle/4SDQcGTJTeHK6PU39 (Tiyaking naka-login sa inyong google account)


⁍ Kopya ng kompiyuterisadong lahok (.doc format). Gamรญtin ang font na Arial 12 pt, may dobleng espasyo, at may isang pulgadang palugit sa bawat gilid na nakaimprenta sa short bond paper na may sรบkat na 8 ½ x 11 pulgada. Kung makinilyado ang lahok, i-scan at isumite na naka-pdf format;

⁍ Kinakailangang walang taglay na anumang pagkakakilanlan ng may-akda ang kopya ng lahok. Tanging pamagat lรกmang ang ilalagay sa lahok habang ang sagisag-panulat naman ay isusulat sa pormularyo ng paglahok/entri form;

⁍ Notaryo na nagpapatunay na orihinal ang lahok;

⁍ entri form/pormularyo ng paglahok (https://shorturl.at/YSM6S); (Tiyaking naka-login sa inyong google account)

⁍ Curriculum vitae o bionote ng kalahok;

⁍ 2x2 retrato ng kalahok (.jpeg format); at

⁍ kopya ng bรกlidรณng ID (.jpeg format).


9. Ang hulรญng araw ng pagsusumite ng lahok ay sa 20 HUNYO 2025, 5:00 nh. Isasara din agad ang link para sa onlayn na pagsusumite ng lahok. Sa mga nagpadala ng lahok sa pamamagitan ng koreo sa hulรญng araw, mag-email ng pruweba ng pagpapadala nitรณ sa timpalak.gawad@kwf.gov.ph upang makonsidera sa paghihintay ng lahok. Hindi na mauurong ang araw ng pagsusumite.


10. Makatatanggap ng kumpirmasyon ang mga nagsumite ng lahok (onlayn at nagpadala sa koreo) sa pamamagitan ng text message kung natanggap ng lupon.


11. Ang mga gantimpala ay ang sumusunod:


Unang gantimpala, PHP30,000.00 (net) at karangalang maging “Mananaysay ng Taรณn”, medalya, at plake;

Ikalawang gantimpala, PHP20,000.00 (net) at plake;

Ikatlong gantimpala, PHP15,000.00 (net) at plake.


12. Ang pasiya ng Lupon ng Inampalan ay pinal at hindi na mababago.


13. Ang lahat ng mga natanggap na lahok ay hindi na ibabalik at angkin ng KWF ang unang opsiyon sa paglilimbag ng mga nagwaging akdรข.


14. Hindi patatawarin ang sinumang mahuhรบling nagplahiyo. Kakanselahin ng KWF ang ipinagwaging lahok at hindi na muling makasasali pa sa alinmang timpalak ng KWF.


15. Pรกra sa karagdagang detalye, mag-email sa timpalak.gawad@kwf.gov.ph.


AirAsia MOVE Under Fire: The Fare Display Crisis That Shook Philippine Aviation


Wazzup Pilipinas!?



A Digital Storm Brewing in Manila's Skies

The Philippine aviation industry found itself at the center of a digital controversy this week as AirAsia MOVE, one of Southeast Asia's leading online travel platforms, faced intense scrutiny over fare display discrepancies that left passengers confused, frustrated, and potentially overcharged. What began as routine flight bookings quickly escalated into a regulatory nightmare that exposed the complex web of modern airline pricing systems.


The Unraveling of Digital Trust

On June 2, 2025, CEO Nadia Omer stepped forward with a carefully crafted media statement that attempted to navigate the turbulent waters of public outrage and regulatory pressure. The crisis centered on fare discrepancies for domestic Philippine Airlines flights, where passengers reported seeing wildly different prices across various booking stages – a phenomenon that sparked immediate concerns about price manipulation and consumer protection.


The timing couldn't have been worse for MOVE, which has been riding high on unprecedented growth in the Philippine market. With 85% of their booking momentum driven by domestic destinations like Manila, Cebu, and Boracay, the platform had become a cornerstone of Philippine travel planning. Now, that very success was under threat as questions mounted about the integrity of their pricing systems.


Behind the Digital Curtain: The Technical Meltdown

Omer's explanation revealed the invisible complexity that powers modern travel booking. MOVE operates as an Online Travel Agency (OTA), essentially serving as a digital middleman that displays flight inventory and pricing data from authorized upstream suppliers, third-party aggregators, and Global Distribution Systems (GDS). This intricate network, while enabling seamless booking experiences, also creates multiple points of potential failure.


The fare discrepancies weren't the result of deliberate manipulation, according to MOVE, but rather "temporary data synchronization issues with flight pricing partners." This technical terminology masks what passengers experienced as a frustrating bait-and-switch scenario – seeing one price initially, only to face different charges at checkout.


Perhaps most tellingly, MOVE emphasized that the issue wasn't isolated to their platform. Industry giants including Agoda, Kiwi.com, and Traveloka reportedly faced similar discrepancies, suggesting a systemic problem rather than a single company's failure. This revelation transformed the narrative from corporate malfeasance to industry-wide vulnerability.


The Ripple Effect Across the Industry

The crisis exposed how interconnected modern travel booking has become. When a single third-party pricing provider experiences technical difficulties, the effects cascade across multiple platforms, potentially affecting thousands of travelers simultaneously. This interdependence, while enabling competitive pricing and broad inventory access, also creates systemic risks that can damage consumer confidence across the entire sector.


For Philippine Airlines, the national flag carrier, the situation presented a unique challenge. As the airline whose flights experienced the pricing discrepancies, PAL found itself caught between its direct pricing and the various representations across different OTA platforms. The incident highlighted the delicate relationship between airlines and the digital intermediaries that have become essential to modern travel distribution.


Regulatory Scrutiny and the Fight for Transparency

The Philippine government's response was swift and pointed, reflecting growing global concern about digital platform accountability. Consumer protection has become a critical battleground as traditional regulatory frameworks struggle to keep pace with rapid technological advancement in the travel sector.


MOVE's emphasis on "full cooperation with the Philippine government" and compliance with "all regulatory requirements applicable to Online Travel Agencies" suggests intense behind-the-scenes discussions with authorities. The company's call for "due process to take its course" indicates potential formal investigations or regulatory proceedings that could reshape how OTAs operate in the Philippines.


The Human Cost of Digital Glitches

Beyond the corporate statements and technical explanations lies the human impact of the fare discrepancies. Travelers who thought they had secured affordable flights found themselves facing unexpected charges or, worse, potentially invalid bookings. For a market where domestic travel has surged – with destinations like Boracay and Cebu experiencing unprecedented booking volumes – such disruptions affect real vacation plans, family reunions, and business commitments.


The 28% year-on-year increase in international flight bookings that MOVE facilitated into the Philippines represents not just statistics, but thousands of travelers whose confidence in digital booking platforms may now be shaken. Each discrepancy potentially affects not just the immediate traveler, but their perception of online travel booking reliability.


Corporate Damage Control in the Digital Age

Omer's media statement represents a masterclass in modern corporate crisis management. By acknowledging the issue while deflecting primary responsibility to third-party providers, MOVE attempted to balance accountability with self-preservation. The statement's emphasis on immediate corrective action and enhanced safeguards signals a company desperately trying to rebuild trust while managing regulatory pressure.


The timing of the statement – released promptly after the issue emerged – reflects how quickly digital crises can escalate in today's connected world. Social media amplification of customer complaints can transform minor technical glitches into major reputation threats within hours.


The Broader Implications for Digital Travel

This incident illuminates fundamental questions about the modern travel ecosystem. As OTAs become increasingly dominant in how people book travel, their technical reliability becomes critical infrastructure for entire tourism economies. The Philippines, with its growing dependence on tourism revenue, particularly from the robust domestic market that MOVE has helped cultivate, cannot afford widespread consumer distrust in digital booking platforms.


The revelation that multiple major platforms experienced similar issues suggests that the current system of interconnected third-party providers may need fundamental restructuring. Industry observers are already questioning whether the cost savings and convenience of shared pricing systems justify the systemic risks they create.


Looking Forward: Lessons from the Turbulence

As MOVE works to restore confidence and regulatory authorities consider their response, this crisis serves as a watershed moment for the Philippine travel industry. The incident has exposed vulnerabilities that extend far beyond a single company or platform, challenging the entire industry to reconsider how it balances efficiency, cost-effectiveness, and reliability.


For travelers, the situation serves as a stark reminder of the importance of understanding what happens behind the scenes when booking flights online. The seamless experience that modern OTAs provide masks incredible complexity that, when it fails, can have significant consequences.


The Path to Recovery

Moving forward, MOVE faces the challenge of rebuilding trust while maintaining the growth trajectory that has made it a significant player in Philippine travel. The company's commitment to "strategic partnerships and enhanced connectivity" will be tested as it works to ensure that technical improvements match its ambitious rhetoric.


The broader industry must grapple with whether the current model of interconnected pricing systems serves consumers' best interests. As digital platforms become increasingly essential to travel planning, the standards for reliability, transparency, and accountability must evolve accordingly.


This crisis, while painful for all involved, may ultimately strengthen the Philippine travel ecosystem by forcing needed improvements in transparency and reliability. For an industry built on trust – where travelers commit money for future services – maintaining that trust is not just good business practice, but essential for the sector's continued growth and success.


The resolution of this controversy will likely set important precedents for how digital travel platforms operate in the Philippines and throughout Southeast Asia, making it a case study that will influence industry practices for years to come.


Ang Pambansang Blog ng Pilipinas Wazzup Pilipinas and the Umalohokans. Ang Pambansang Blog ng Pilipinas celebrating 10th year of online presence
 
Copyright © 2013 Wazzup Pilipinas News and Events
Design by FBTemplates | BTT