While Baybayin is cool, signages should be functional

Wazzup Pilipinas!

The newly-renovated Manila City Hall underpass can be used already. Admirable it may seem, because these projects do make locations more appealing to the eyes and are bonus points for tourism and equally an appreciation for Manila residents and visitors.

A portion of the mural painted at Lagusnilad underpass also pays tribute to frontliners in the battle against  health COVID-19, which includes healthworkers and delivery workers.

There are also signages that are also co-written in Baybayin, an ancient pre-colonial Filipino writing system.

However, many would like to debate on the need to use baybayin for a few  but valid reasons.

There is nothing wrong in advocating for baybayin, but remember that it is not the only system of writing we have in the country. Baybayin cannot encapsulate the culture of a whole nation when you exclude the other systems of writing.

No one even uses baybayin on a daily basis. Besides, baybayin isn't even supposed to be used for foreign words. We can't even use baybayin for the current form of Tagalog because it doesnt fit. Is this a useless move?

To adapt baybayin in order to "reclaim" our roots could just be futile because we have many ancient writing systems before. Baybayin does not even encompass the entirety of it.

Syllabic writing system, Baybayin is. You don't convert per letter. Acronyms should be written in Baybayin script as they are pronounced by native Filipinos in their native tongue...thus it should be /el/ /ar/ /ti/ at /es/ em/ mo to convert properly.

Recommendable na isalin muna sa Filipino yung mga Ingles na salita kung ilalapat sa baybayin. Hinggil naman po sa letra, balik po tayo sa rule na kung anong bigkas, siyang baybay. kaya nga po sana kumonsulta muna sila sa NHCP, NCCA, at/o National Museum.

Actually parang walang “standardized rules” pa ang baybayin... kaya maganda talaga na napag-uusapan at napag-aaralan.

Is this a good way to promote the writings? Will we have even the slight urge to study baybayin?

But then, this promotion may serve only those who can actually learn it. I mean lahat kaya naman pero would it be practical for many. Pero, as stated, this is a good way to promote the handwriting system of the Filipinos.

For me, the level of performative wokeness has me screaming. you know what would have made sense?

Yes it looks good, but are we really using baybayin just for the sake of aesthetics?

Why use Baybayin in a place where almost no one uses/understands it? Also bakit Baybayin lang? What about the other 15 documented pre-colonial writing systems? Kakalimutan na lang? Naiinis ako ha ginagawang aesthetic lang kasi ito eh.

Also, this is really impractical and unnecessary knowing that MOST filipinos don't know how to read and write baybayin.

The intent to promote the Filipino heritage is good, but out of 109 million Filipinos, how many can read Baybayin? with that, what does this make us?....never mind.

Well I'm just saying that if you want to learn it, sure no problem. But if you're saying that it's for "decolonization" and ''revival" aba eh, mahaba-habang usapan yan mga mars.

Not to mention that's not ours to begin with but from our IPs.

What's the use of using Baybayin if we don't even write our signs in Tagalog?

ICONS for the illiterate
TRANSLATIONS for tagalog readers
NOT BAYBAYIN as basically no one is proficient

🚉 Istasyon ng tren - LRT 1 sentral
🏛 Bulwagang panlungsod ng Maynila
🏢 SM Manila

While having Baybayin is cool, let's not forget that signages are supposed to be functional. There is a science behind it, ensuring maximum visibility, readability and viewer's safety.  With these considerations, I'd rather not put a "cool" translation that no one can actually read.

The national government's hard push for Baybayin is a performative bit of essentialist "nationalism" that prioritizes aesthetics over any actual meaningful attempts at building awareness of our history or dialoguing with our identity.


 📸: DTCAM, MB

Sarah Balabagan's Revelation: Did Arnold Clavio take advantage of an underage rape victim?

Wazzup Pilipinas!

"Arnold Clavio" is now trending in the Philippines.

I just watched Sarah Balabagan's Facebook live. I didn't know Arnold Clavio was an actual pig who took advantage of an already traumatized girl, had an affair with her and got her pregnant. Well, if it was true.

“Ang ama ng aking panganay na anak ay si Arnold Clavio... Sinabi niya sa akin noon, wag akong aamin... Kahit anong mangyari wag akong aamin...”

Sarah Balabagan, a former OFW who was sentenced to death penalty and later on granted parole in United Arab Emirates, finally revealed after 22 years that Arnold Clavio is the father of his eldest child.

So totoo ba yung chismis na nabuntis ni Arnold Clavio si Sarah Balabagan? Sarah (17 yrs old), a traumatized rape victim, tapos si Arnold (32-33 years old) isang reporter na nag cover ng case ni Sarah.

May bago nang pumalit sa "Walang Tulugan" show, ito ay ang, "Walang Aminan!" hosted by Arnold Clavio.

Barako pala itong si Arnold Clavio. Matulis Ang bagong Mang Kanor ng Pilipinas!  Mahilig sa BATA! But could he be considered a pedophile?

Titos like me are more interested Sarah Balabagan-Arnold Clavio than the Tim Sawyer-China Roces shit!

Yung si Sarah Balabagan pa ang na-guilty at pinatawad ng asawa ni Arnold Clavio dahil naanakan siya.

Ang kapal ng fez ni Arn-arn! Kaya pala niya nasabi na walang diskarte ang gobyerno kontra COVID-19, dahil siya ang mas madiskarte. Kuning IATF Chair si Arnold Clavio.

Has Arnold Clavio issued any statement yet about Sarah Balabagan’s big revelation? If it was true, has he provided support? and he should not deny paternity. From the situation prevailing at that time, it seems Arnold Clavio took advantage of a traumatized minor.

Miss Jessica Soho, paki-feature nga si Arnold Clavio at Sarah Balabagan. Yung kababuyan ni Arnold kung talagang wala kayong kinikilingan at serbisyong totoo lamang! Patunayan ninyo nga?

Of course, mayroon kayang ‘tao’ sa likod ng pag-amin o ‘rebelasyon’ ni Sarah na si Igan  ang tatay ng kanyang panganay? Malay natin this is just a negative publicity designed to bring this broadcaster down.

Nicole Laurel Asensio: The Story Behind Silong

Wazzup Pilipinas!

Nicole Laurel Asensio is an award winning Singer- Songwriter, she has taken home an Awit Award (2017) and a TrendStar (Korea) Award (2018). She is often referred to as the "Schizoprano" because of her versatile vocals able to span many genres and her quick adaptability and resilience in the music industry.

Nicole is launching new latest single titled SILONG on August 28 via Spotify.

"There are some songs that take years to write, and there are some songs that take mere minutes. This wasn’t one of them.

Silong is a song I gave up on many times because it wouldn’t lend me an ending, it is also the only original song in my upcoming album that I did not predominantly write the lyrics for, instead I focused on the melody and being involved in instrumentation ideas with my bandmates.

I first sat and jammed with Kim Lopez (keyboardist) humming a tune as he played random chords, and it was instant, on the very first try a simple melody sputtered from my lips and that was it, in its raw form, the melody was final, unaltered. Soon after I found myself threading through the lyrics… and that is where I had my many tangles. I first wrote the song in english, it was entitled “Once” but somehow the melody wasn’t sitting in the same mind-space because it was reminiscent of classic OPM melodies from the 70s… so somehow it was asking for Tagalog lyrics. I asked my mom to give a quick listen and she agreed, it did need Tagalog lyrics. I wrote 5 drafts of Tagalog lyrics and was unhappy with all of them. I reached out to a few songwriters for a writing collaboration, and none of the meetings happened. I decided it was time to bury the song.

My father passed away. And though I tried to be creative, It seemed subconsciously I buried the concept of songwriting altogether, my body and mind just weren’t digesting the process anymore. I buried the notion, I buried the possibilities, I buried myself in an onslaught of gigs and events (which I couldn’t be more grateful for) but…. No songs. Nada. Not for years.

One early summer afternoon I was cleaning up my old hard drive and found 49 (yes 49, I don’t know why 49 and not 50) unfinished songs and poems all works in progress, half written, half forsaken…  this one happened to be on the top of the list. I decided to give it another shot. But I wouldn’t take the lead on the lyrics for this one, I would be generous control wise and let someone else take the lead. That person was a friend I’d never worked with before— Itchie Montilla, an ex member of the Philippine Madrigal Singers. I sent him a melody and he sent back a draft of his lyrics, I edited them a bit and then called my trusted band barkada to come over.

There were 10 of us in a 10 square meter room (we each picked our own square meter) Michael Alba on drums, Karel Honasan on Bass, Ira Cruz on Guitar, Nikko Rivera on keys, Michael Guevarra on saxophone, Lester Sorilla on Trumpet and a few more friends and their glasses in hand. The sun was blaring through my very small attic window, we were all squinting and laughing and the energy was pure, there was a lightness that I hadn’t felt in years.

The arrangement was a group effort, Michael A. And Michael G. Being the intelligent musical tricksters they are, did some interesting arithmetic in the bridge and only then was the melody adjusted.

We had the arrangement, and quickly set a schedule to record… no plans to release, just record for fun… We booked in Wildgrass studio, and because my musical family keeps growing, we added more elements… adding to the mix was Isla Antinero on trombone, Ted Amper on Cello and Jobri Cimafranca on Violin with a strings arrangement done by JC Magsalin who did a few of my orchestra arrangements for the first solo album and for live events.

The music was in, and I was teary eyed grateful to God that these fine men of music would agree to do a project for someone small like me who was self managed and self produced.

And then the other fear set in. Oh no. I’m going to have to sing.

What if I can’t?

I mean this song didn’t want to be finished for years? What if it isn’t meant to be? And what if I am the reason it won’t be finished.

I let my fears get the best of me and nearly backed out.

“sayang naman”

“nasimulan mo na eh”

“kaya ko ba?”

…….

“Ok I’ll do it.”

“Bahala na si Lord”

I usually am head strong and hands-on with my work but this time I wanted to take a back seat, I wanted to be a spectator to the process, yet what good is a spectator with a steering wheel? I had to somehow drive… even if I lost my drive…. But nothiung is impossible with the help of a few good musical forces.

I asked for the help of a seasoned producer and performer Moy Ortiz to help me out with my singing, because truthfully I was at a point where I lost all confidence, and he stuck it out with me till the nth take. And finally I felt like maybe just maybe the song would be finished.

The Honasan’s are a respected musical family and again, this song is like a family recipe with my friends in music, it was only right to ask Yosha Honasan (Karel’s wife) who is a monster vocal arranger take the wheel when it came to backups… She along with Amazing alto Pauline Lauron…..and (I’m so lucky to have her on this) My Mom Iwi Laurel took the backup spots towards the end of the song, just to give it the filling in we were looking for.

And that was it. Recording was done. And from that day I begun writing again, incessantly, recording again, 2 more singles recorded and 3 more music videos shot just a couple weeks after… I felt some sort of motivation again.

Everything was set for January 2020

Then Covid happened. Lockdown. A worldwide health crisis. It simply wasn’t time to release anything. And so I thought… yup… I guess this song just wasn’t meant.
That’s that.
I’ll stay quiet.

To pass the time, I wrote other songs in isolation, did 20 quarantine music videos for online releases, collaborated with 10 other artists to keep sane did about 12 fundraiser shows…. But……

 this song was just sitting there, mixed and mastered and bugging me still.
What was I afraid of?

“Kung Maibabalik ko lang ang kahapon
Gagawin kong bukas ang Ngayon
Hahayaan lang lang tumila ang ambon
Sa haplos mo sisilong”

It times of uncertainty it was in God’s hands I found shelter. In darker moments, it was faith that would ignite glimmers of hope. True, Hindi ko mababalik ang kahapon…. But the “now” I’m experiencing in all its fragility was a reminder that I was alive, to be fragile is a reminder that I am human…. That I need to take shelter in something greater than me… that I need to give up being a control freak and let God’s hand roll the dice for me…. and…. Be that spectator I was in the studio…. After all, through the many losses and deaths of family members and friends gone to heaven, I was living and I had a purpose and a chance to do something, to start over (as many times as I needed to)

So here I am… giving it a shot… without expectations

Sometimes we can’t just play God and call out what’s meant to be and what isn’t… because our plans have worldly limitations… and who knows there may be a better plan that awaits if we choose to faith over fear.

Let’s see how this goes as I dig through my hard drive of 48 more unfinished pieces. 2020 isn’t over yet.



SILONG CREDITS

Written by:
Nicole Laurel Asensio, Kim Lopez, Itchie Montilla

Executive Produced by:
Nicole Laurel Asensio

Produced by:
Nicole Laurel Asensio and Ira Cruz

Arrangement:
Michael Alba
Karel Honasan
Ira Cruz
Nikko Rivera
Michael Guevarra
Lester Sorilla

Strings Arrangement:
JC Magsalin

Horns Arrangement:
Michael Guevarra

Drums:
Michael Alba
Bass:
Karel Honasan
Guitar:
Ira Cruz
Keys:
Nikko Rivera
Saxophone:
Michael Guevarra
Trombone:
Isla Antinero
Trumpet:
Lester Sorilla

Engineer:
Jess Fermino

Mixing:
Angee Rozul

Mastered in:
Abbey Road UK.


SILONG LYRICS

Sa bawat oras na dumadaan
ay para bang walang hanggan
Ang alaala ng iyong pag lisan
at pamamaalam

Kung kaya pang
yakapin ka
humimbing sa mga tala

Sa bawat pag ikot
ng mundo
Humihinto ang puso ko
Bawat alon at patak ng luhang ‘to
paghintay sa tinig mo..

Ngayon sa pagtahimik
at pag tila ng gulo,
mananatili ang kamay sa palad mo..
lilipad tayo sa ulap
managinip tayo..

Kung kaya lang
iduyan pa,
sa awit kong kapiling ka

Sa bawat pag ikot
ng mundo
Humihinto ang puso ko
Bawat alon at patak ng luhang ‘to
paghintay sa tinig mo..

Kung.. maibabalik ko lang ang kahapon,
at gagawin kong bukas ang ngayon..
Hahayan lang tumila ang ambon..
sa haplos mo sisilong.
Sisilong
Sumilong
Sumilong.