Got a Broken Window Glass? Emergency gGass Repairing Services Can Make a Huge Difference

Wazzup Pilipinas!

Did you ever get into the situation where you had a glass broken at home or office, car or shop etc., and need it replaced soon, and know not about what to do? Well, this is a typical situation that may happen to you any day and occurs with many. The difference is how you react to this crunch situation. Broken glass in some cases may be a small matter, and maybe a severe issue in others.

Deciding the seriousness of the broken glass situation

If the glass door or wall in a shop front breaks it is a serious issue, and also in case of the car front glass etc. it can be severe. But if the small mirror at home or the tabletop breaks, then things are much more manageable, and you have time. Depending on the seriousness of the broken glass situation the emergency is called for. And you must have an emergency glass Adelaide repairing service provider nearby to refer to for such cases.

Why call for an emergency glass repairing service?

You may think that, when there are shops and services to install glasses by getting normal and custom orders, then why contact an emergency glass repairing service and not an ordinary glass fitting service? Emergency glass repairers can help you in such ways which regular glass repairing cannot. The most common reasons are:

An emergency service provider will come to your place instantly on getting a call, and you will not have to wait in a situation where broken glass pieces are everywhere, and you are protecting people around you from the sharp piercing remnants of a glass body.

An ordinary glass fitter would come as per their own time, and take measurements of the broken glass, take the order, finalise with you, and then again come another day with the new glass part for fitting it. It will delay the repair for hours or days. But an emergency glass repairing service would come prepared for the replacement with glass pieces of varying sizes and thickness with them. In case nothing suits the repair, they will always have something to suit it in their workshop, which they may bring quickly again on the same day to fix things.

Emergency repairing services will always be equipped with the right set of tools etc. which are needed to work with broken glass edges safely; sharp edges etc., and fit the new glass.

Due to the extensive experience of repairing glasses at various places and situations, they would have the expertise to deal with the crises with the right know-how thereby giving you perfect solutions.

They will have the right work safety tools to protect hands and feet while working with broken glass.

You can have a broken glass repairing service which attends on any such emergency calls by searching the internet. Keeping the contact number of one such agency in your area is much necessary if you work or live in an environment containing much glass made things or glass doors, walls, or screens etc.

Energy Family Working 24/7 Amidst Typhoon Ompong -Cusi

Wazzup Pilipinas!

Department of Energy (DOE) Secretary Alfonso G. Cusi today assured the public that the energy family is on top of the situation amidst the anticipated onslaught of Typhoon Ompong to ensure safe and secure energy.

“The entire energy family is closely monitoring Typhoon Ompong. The men and women of the National Grid Corporation of the Philippines, the National Power Corporation (NPC) the National Electrification Administration, our electric cooperatives, and private energy companies are prepared and ready to respond,” he said.   

Based on the consolidated report of the Task Force on Energy Resiliency, NPC monitors the operations of hydroelectric dams, particularly its water levels to ensure safe and efficient operations. As of the 12 noon report, Ambuklao and Binga Dams in Benguet are already conducting water spills following water levels at 751.02meters above sea level (masl) and 573.85masl, respectively. The discharges are made to maintain normal water level in the reservoir.

San Roque Dam gates are still closed at 2:00 p.m. with water level at 274.26 masl and Angat Dam at 206.40 masl.

For the transmission system, NGCP reported that affected lines are Palanas Cara – Catarman – Allen – Lao – Ang 69kiloVolt (kV) Line affecting the Northern Samar Electric Cooperative, Inc. (NORSAMELCO). NGCP mobilized line crews and are currently conducting aerial and ground patrols to assess the impact of the southwest monsoon to expedite restoration of affected facilities.

The Paranas – Quinapondan 69 kV affecting Eastern Samar Electric Cooperative, Inc. (ESAMELCO) was restored 8:54 a.m. today just two hours after it went off.

On the distribution side, NEA reported that power in affected electric cooperatives in Samar provinces have been restored before noon time Friday. These are NORSAMELCO, ESAMELCO and Samar I & II Electric Cooperatives, Inc.

In case a State of Calamity is declared, the DOE reminds all oil companies that price freeze on liquefied petroleum gas (LPG) and kerosene products will take effect for 15 days after the announcement.

The DOE family assures the public that the energy sector is synergized in responding to these trying times.

UE Short Films Make it to Pagwanawanan, Nabifilmex Festivals

 

Wazzup Pilipinas!

An experimental video and an animated film from the University of the East (UE) College of Fine Arts, Architecture and Design will compete under the student category of the Pagwanawanan Film Festival on September 21 at PUÓN/Alfredo F. Tadiar Library along Ortega Highway in San Fernando, La Union. 

Marangle (Farm) by Angeline Tabilog and Maling Akala: Ang Misteryo ng Unamuno (Misconception: The Mystery of Unamuno) by Elvin Jay Macanlalay and Arvileen Yongzon will vie for the top prize along with three other student films, Halal by Dahren Tagtag (Cebu), Layag by Romsky Chelle Dela Cruz (Pangasinan) and Si Kokak at Ako by Ralph Santos, Vince Basa and Winstone Arradaza (La Union).

The nine-minute film Marangle, which was entirely shot in San Simon, Pampanga, tackles the life of a farmer who risks everything, including his land, just to have an opportunity to work abroad and provide a better future for his family.

A final project for the video production subject under Prof. Richard Legaspi, it competed with other experimental films at Sinepiyu 2017 and was exhibited as part of the Cinebalu program of the 17th Kota Kinabalu International Film Festival in Borneo. It also competed at the 28th Gawad CCP Para sa Alternatibong Pelikula at Video or Gawad Alternatibo independent film and video festival of the Cultural Center of the Philippines.

Tabilog got the support of director of photography Isabelo Bucao, assistant director Rhuva Patiag, writer Gerard Halabaso, production manager Aldric Matthew Manapat, production designer Chelsea Mae Natividad, costume designer Erica Balaan and production staff Cyrill Mustera, Jayson Torres and Kent Santos.

Maling Akala, on the other hand, takes on a legendary Philippine mythical creature and a mischievous child as they journey through the woods after a calamity hit their village, Unamuno. Their paths cross and they go on an adventure together. Produced by Piko Productions as a requirement for Prof. Ronwell Bacani’s class, the five-minute animated film was selected as one of the finalists at the Animahenasyon: 11th Philippine Animation Festival, Gawad Alternatibo in 2017 and Recoletos Film Festival last February.

Meanwhile, Maling Akala will also be exhibited as part of the open-air film screenings at Nabifilmex 6 in Compostela Valley along with two UE CFAD documentaries, How the Beasts Got Hyped by Macanlalay, Bryan Marticio and Mars Sanchez and Yero (Corrugated Galvanized Iron) by John Lanbert Rafols, John Nico Nunag and Jay Condeno. They will be shown along with other selected entries at the Nabunturan Municipal Plaza from September 19 to 21.

How the Beasts Got Hyped focuses on the daily routine of hypebeasts, which share a mutual interest for street-style fashion, providing a sense of community for its followers, while Yero shows the life and daily struggles of two factory workers, Armando Bucog and Rowil Galicia, inside a corrugated iron factory. Both documentaries, which were also produced under Legaspi’s video production class like Marangle, previously competed this year at the 30th Gawad Alternatibo.