Venus in Fur: The Lord Has Smitten Him and Delivered Him Into the Hands of a Woman

Wazzup Pilipinas!
The Necessary Theatre will stage the Philippine premiere of “Venus in Fur” by David Ives. This is a hilarious, sexy romp of a play that stormed Broadway and won major awards in its wake.

Directed by Bart Guingona fresh from his highly acclaimed “Red,” and “Full Gallop.”

Featured artists: Jennifer Blair-Bianco and David Bianco.

Performance dates: July 25, 26 and 27
Venue: CCP Tanghalang Huseng Batute.


Tickets are at :
P1200 (Orchestra Premium Reserved)
P800 (Orchestra Free Seating)
P600 (Orchestra Balcony Seating)

For Inquiries contact :
Grace Firmeza / 09272858580
Tickets available at Ticketworld 891-9999 and the CCP Box Office 8323704.

FLUID: Love, Art and Compromise

Wazzup Pilipinas!

The De La Salle-College of Saint Benilde’s Technical Theater Program Batch 111 proudly presents a reinterpretation of the Palanca Award-winning play, “ FLUID ”.

Written and directed by Floy Quintos, the comedy is about young Filipino contemporary artists struggling to make a name for themselves as they negotiate the tricky terrain between Love, Art and Compromise.

“ FLUID ” is set to open on July 24 and shall continue to run on July 25 and 26 (1:00 pm and 7:00 pm) at the 5/F SDA Theater, School of Design and Arts Campus, De La Salle-College of Saint Benilde, 950 P. Ocampo St., Malate, Manila. A press preview is set on July 23 at 7 p.m.

“ FLUID ” is written as a series of scenes in different locations featuring three pairs of characters who seemingly have nothing to do with each other. Amir is a struggling and frustrated young painter whose life is about to be changed by Mira a wealthy art collector who dreams of discovering new talent. Jom and Alben are passionate theater actors torn between their passion for their craft and the lure of fame. Renata is a seemingly batty orchestra coordinator out to defend the dignity of her orchestra when it is hired to play at a society wedding by the overbearing events coordinator, Simone. All these unique and clashing characters come together unexpectedly at an art exhibit where their impulses lead to joyful mayhem.

Flipzoids: A Must See Play Featuring Three Filipino Immigrants in America

Wazzup Pilipinas!

With only three characters Aying, Vangie and Redford, the play is circa 1985 and is set on a beach in Southern California. It is a funny and highly moving story about three Filipino immigrants in America navigating through the shifting landscape of home, desire, loneliness and belonging. The play examines what it means to be an outsider, to be Filipino and/or American, to be a hybrid.

BECCA GODINEZ ( AYING ) is a seasoned singer, songwriter, director and actress. Her career has taken her through numerous musical avenues, from country to musical theater and everything else in between. She was a student of classical voice, where she competed and won for her college its first classical voice trophy. Believing in her gifts, she was given the lead role in the operetta, “The Telephone” by Gian Carlo Menotti, where she sang the difficult lines of the sole female soprano, Lucy. Simultaneously, she was a student of vocal jazz, scatting and enjoying the less traditional and less rigid boundaries of that genre, and for a season, she was a member of a vocal jazz ensemble that toured Northern California. Years later, she performed as front act to jazz musicians, Tom Scott, Richard Tee, Carlos Rios and Steve Gadd.

Becca spent a good amount of time on the legitimate stage, where she performed in straight plays and in musical theatre. She was a member of Repertory Philippines where she portrayed numerous roles which included Tuptim in The King and I, Hodel in Fiddler on the Roof, and in a CA production of West Side Story where she played Anita. An Orange County newspaper’s review stated... “In her role of Anita, she displayed a deep understanding of the role and gave it a passionate interpretation, which outshone Rita Moreno's interpretation …of "West Side." When she came to her big song "A Boy Like That," she gave it tragic and heart-wringing overtones …”