Wazzup Pilipinas!
With only three characters Aying, Vangie and Redford, the play is circa 1985 and is set on a beach in Southern California. It is a funny and highly moving story about three Filipino immigrants in America navigating through the shifting landscape of home, desire, loneliness and belonging. The play examines what it means to be an outsider, to be Filipino and/or American, to be a hybrid.
BECCA GODINEZ ( AYING ) is a seasoned singer, songwriter, director and actress. Her career has taken her through numerous musical avenues, from country to musical theater and everything else in between. She was a student of classical voice, where she competed and won for her college its first classical voice trophy. Believing in her gifts, she was given the lead role in the operetta, “The Telephone” by Gian Carlo Menotti, where she sang the difficult lines of the sole female soprano, Lucy. Simultaneously, she was a student of vocal jazz, scatting and enjoying the less traditional and less rigid boundaries of that genre, and for a season, she was a member of a vocal jazz ensemble that toured Northern California. Years later, she performed as front act to jazz musicians, Tom Scott, Richard Tee, Carlos Rios and Steve Gadd.
Becca spent a good amount of time on the legitimate stage, where she performed in straight plays and in musical theatre. She was a member of Repertory Philippines where she portrayed numerous roles which included Tuptim in The King and I, Hodel in Fiddler on the Roof, and in a CA production of West Side Story where she played Anita. An Orange County newspaper’s review stated... “In her role of Anita, she displayed a deep understanding of the role and gave it a passionate interpretation, which outshone Rita Moreno's interpretation …of "West Side." When she came to her big song "A Boy Like That," she gave it tragic and heart-wringing overtones …”
With only three characters Aying, Vangie and Redford, the play is circa 1985 and is set on a beach in Southern California. It is a funny and highly moving story about three Filipino immigrants in America navigating through the shifting landscape of home, desire, loneliness and belonging. The play examines what it means to be an outsider, to be Filipino and/or American, to be a hybrid.
BECCA GODINEZ ( AYING ) is a seasoned singer, songwriter, director and actress. Her career has taken her through numerous musical avenues, from country to musical theater and everything else in between. She was a student of classical voice, where she competed and won for her college its first classical voice trophy. Believing in her gifts, she was given the lead role in the operetta, “The Telephone” by Gian Carlo Menotti, where she sang the difficult lines of the sole female soprano, Lucy. Simultaneously, she was a student of vocal jazz, scatting and enjoying the less traditional and less rigid boundaries of that genre, and for a season, she was a member of a vocal jazz ensemble that toured Northern California. Years later, she performed as front act to jazz musicians, Tom Scott, Richard Tee, Carlos Rios and Steve Gadd.
Becca spent a good amount of time on the legitimate stage, where she performed in straight plays and in musical theatre. She was a member of Repertory Philippines where she portrayed numerous roles which included Tuptim in The King and I, Hodel in Fiddler on the Roof, and in a CA production of West Side Story where she played Anita. An Orange County newspaper’s review stated... “In her role of Anita, she displayed a deep understanding of the role and gave it a passionate interpretation, which outshone Rita Moreno's interpretation …of "West Side." When she came to her big song "A Boy Like That," she gave it tragic and heart-wringing overtones …”