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Friday, October 30, 2020

Kuya Kim Atienza criticized for Liz Uy congrats


Wazzup Pilipinas!

"Kim Atienza or Kuya Kim responded to netizens who criticized him after showing support for Liz Uy’s engagement news. 

“Ohh I don’t support adultery but I love @lizzzuy and Raymond. I even love you. We are all sinners," replied Kuya Kim to a netizen who claimed that he supports infidelity."

Let's rephrase it:

"I dont support adultery, but I love the adulterers.?" 

So ganoon?.. dahil sinners tayong lahat.. OK lang?.. Anong isip meron kayu? May ghad..!

All of us are sinners, but not homewreckers! Minsan talaga may mga kabit na ang kakapal ang mukha, mas makapal pa sa bank vault!

Oo Kuya Kim makasalanan din ako. Sobra sobra pero nasa 10 commandments mismo yung nagawa nila.

We are all sinners is not and never can be an excuse to sin willfully... we acknowledge our sinfulness but we try to avoid sin..... that is the operative concept... to avoid sin.

Kung sasabihing lahat naman tayo ay sinners, totoo. Pero yung i-congrats pa yung nagtagumpay sa pang-aagaw ng asawa at parang OK na lang at normal na lang din ngayon. Nakakalungkot lang. Parang OK lang magkasala o mangsira ng pamilya kasi lahat namn tayo sinners. Ganern?

Meganon?

Kapag sikat at mapera, okay lang mangabet kasi lahat naman daw makasalanan? 

Kuya Kim, you love the kabet, you love the one that abandoned his family, you even love the one that criticised you. How come you didn't love the first family that is was abandoned?

Just because not everyone is perfect eh pwede nang i-tolerate? 

How sad to read this kind of statement.

It's like saying when you love the person, it is okay to tolerate and ignore an evil act.

Tsk tsk Matanglawin, hindi maganda sa bata yan.. pag mali, mali! No excuse!

"Ang buhay pag aasawa ay weather weather lang?"

Ang kwestyon is bakit malakas ang loob niya na i announce ang engagement knowing her relationship is not something to be proud of?  Ganito na ba talaga kakapal ang pagmumukha ng mga sikat na personalidad

Just saving this for future references, kasi for sure i dedelete ni Kuya Kim yan.

Anyway Liz Uy and Raymond Racaza and also the cupid herself Isabelle Daza and their enabler celeb friends has a special place in hell. Muah!

Influencer Mary Lite Lamayo is clueless about Jose Rizal?


Wazzup Pilipinas!

Who doesn't know Jose Rizal?

This is José Protasio Rizal Mercado y Alonso Realonda, simply known as José Rizal. He was given birth at Calamba, Laguna on June 19, 1861, and was executed by a firing squad of the Spanish Colonial Government for the crime of rebellion at Bagumbayan, Manila on December 30, 1896. 

Well our national hero would be giving  Mary Lite Lamayo the finger if he was still alive.

I can't wait to hear Rizal curse Mary Lite in 22 different languages. 

Mary Lite is  now the "malansang isda" on  Rizal's poem. Lol! 

I don't think Mary Lite didn't recognize Rizal coz' for Pete's sake, even an elementary student knows who he is. Sorry for judging but---yeah, she's a major in Tourism, and a major in Attention-seeking as well. 

There are 3 possibilities:

1. Mary Lite knows who Jose Rizal is but she failed to recognize the picture (maybe not a visual person; not her fault there).

2. Scripted at naglalaro ng tanga-tangahan to make an issue (good for views).

3. She genuinely doesn't know who Jose Rizal is. 

So, this is the new way of influencing to get many views and more money? Downgrading Jose Rizal, asking if he's a TikToker? Are you a fool bitch? Of you're just making yourself a fool? For fucking sake that's our National hero bitch, that's the guy who fought the Spaniards with a pen. 

The disrespect for just clout? Just another "influencers" flaunting their stupidity?

I guess it's all just a playful gimmick to call attention. It's what everyone is doing right now....making nonsense of sensible stuff to catch audience interest.

After all, we are all after the fame and fortune brought about by monetization of our content on social media.

Thus, the pabebe at pa cute were born to act innocent and even pretend to be stupid because people love the dimwitted.

Who the f*ck told this girl that it is cute not to recognize Rizal? For clout or not, this is type of idiocy is unforgivable. Bat ba may fans to? Que horror! 


Very obvious na the “influencer” who apparently does not know Gat. Jose Rizal might have been pretending to do so for clout. And now she gets what she wants, and I just contributed a blog to her cause.

Please don't mind her na lang kasi, peeps, She is just playing stupid because she likes the fame. 

Seriously, Jose Rizal? Who the f*cking Filipino doesn't know our national hero, even with just being familiarized with the name kasi it's ICONIC and HISTORICAL!

Petition for Mary Lite Lamayo to uninstall her TikTok and read a damn history book! 

New Cinephilias Online via the Instituto Cervantes Vimeo Channel

Wazzup Pilipinas!

This November, Instituto Cervantes and Festival de Sevilla, in collaboration with the Embassy of Spain in the Philippines, will treat Filipino film buffs to the New Cinephilias Online”, a series of movies considered as The Other Spanish Cinema, a label with which the generation who started working with cinema at the dawn of the 21st century was named. This film cycle will be shown through the Instituto Cervantes channel on the Vimeo platform and is freely accessible for 48 hours from their start date and time.



The line-up is composed of award-winning films such as the documentary Niñato (Kid), awarded as the Best Film during the 19th BAFICI - Buenos Aires Festival Internacional de Cine Independiente (Buenos Aires International Independent Film Festival), and directed by Adrián Orr. Two drama feature films like Ver a una mujer (To See a Woman) by Mònica Rovira and A estación violenta (The Wild Season) by Anxos Fazáns. Another documentary: Idrissa, crònica d´una mort qualsevol (Idrissa, Chronicle of an Ordinary Death), directed by Xavier Artigas and Xapo Ortega, which was nominated to the XII Premios Gaudí (Guadí Awards) and the 15th Festival de Sevilla de cine europeo (Seville European Film Festival) completes the film cycle.

These films are creations of filmmakers who sought to express themselves with new paradigms and who benefited from the freedom offered by the digital revolution. During the last twenty years, these artists have created a niche where they experiment with new narrative models. There is no doubt that, with them, new viewers are born who appreciate and look forward to seeing the fruits of their labors: the modes of postmodernity, the visual quality, the formal audacity and the multiple representations of these films are some of the features they share and that are recognized by creators and viewers. This "other Spanish cinema" has been strongly defended by festivals, which continue to act as places to (in)form and connect with contemporary moviegoers.

The film cycle will kick off on 7 November, Saturday at 3 AM in Manila (November 6, Friday at 8 PM in Madrid), with the screening of Niñato (2017) available for 48 hours until Monday, November 9 at 3 AM. Fleeing from gruesomeness, poignancy or emotional trap, it focuses on the particular family of David Ransanz, a young and jobless rapper from the suburbs of Madrid who raises a three year old while living in his mother's house. Adrián Orr draws a moving and close portrait of this “kid” who tries to resist a monotonous and not very encouraging situation, while still holding on to his musical dreams.

The film cycle will continue on 14 November, again at 3 AM Manila time, with the drama Ver a una mujer (To See a Woman). Directed by Mònica Rovira in 2017, it is an intimate, poetic and beautiful film about the relationship between the Director (Mónica) and her first female love: Sarai. It is a film where the play of textures, lights and shadows, work as the perfect metaphor for the ineffable of love, dependency and honesty, and which constitutes a sublime exercise of introspection and exorcism in which a woman face the demons of her life as a couple.

Another feature film A estación violenta (The Wild Season, 2018) will be shown on Saturday 21 November, at 3 AM in Manila. This dazzling debut of Anxos Fazáns, adapted from the homonymous novel by Manuel Jabois, showcases life in a city where there is no horizon other than that of an unhappy past and that of a lost generation. It is a story of silent loves, broken complicities, and mutual mistrust.



Finally, the well-crafted documentary directed by Xavier Artigas and Xapo Ortega, Idrissa, crònica d´una mort qualsevol (Idrissa, Chronicle of an Ordinary Death, 2019) will conclude the film cycle on November 28, also at 3 AM Manila time and available for 48 hours until Monday, November 30 at 3 AM. The film depicts how the Spanish legal system has made it nearly impossible to investigate into the death of a 21-year-old Guinean migrant at the Centre d'Internament d'Estrangers de Barcelona (Foreigners Internment Center of Barcelona). The Directors are not just telling us a real life story, but conveying about the effective use of cinema as a tool for action and change.

The films, presented by Instituto Cervantes in collaboration with the Seville European Film Festival of Spain and the Embassy of Spain in the Philippines, will be in Spanish with English subtitles. Admission is free.  For further information and updates on this film series, please check out http://manila.cervantes.es or Instituto Cervantes Facebook page: www.facebook.com/InstitutoCervantesManila.

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