Thursday, July 22, 2021

Tumindig Against the Dutertes

Wazzup Pilipinas!?

Astonished to see artists leading the fight for good governance.

A DDS artist tried to downplay the #Tumindig campaign by making their own version of Sara Duterte as Thanos. The first version showed Sara killed all those who joined #Tumindig. After receiving flak, he changed it without the blood

Like father, like daughter? Kill, kill, kill? 

Dito na ba napunta ang P70 million budget mg PCOO? Is Steven Pabalinas one of their hired graphic artist contractors?

It looks like a criticism of Daughterte, if any --- depicting her as a violent killer who doesn't like people standing up.

Ang pinapakita dito kasamaan at hindi katapangan. Like father, like daughter nga kung ganoon.

Ganun naman mga DDS, tapang tapangan lang. Pag madami umalma, urong bayag, tulad ng poon nila.

Identified na tlga sila by their penchant for profanity. This is everyone’s concept of this mag-ama, DDS or not. And the artist thinks this is his best positive interpretation of the daughter—as a homicidal maniac?

Hindi ba nila alam ang fate ni Thanos sa huli? Thanos failed. Sara, without an H (Honesty), will also fail!

Utak kriminal talaga mga DDS no? mga bobong basura haha!

He depicted Sara as mamamatay tao. not surprised that this is also how the DDS see he Duterte's. Nakakadiri! Like father like daughter naba talaga ang peg? They don't even try to hide it anymore, kill kill is all they could think of. Napa mura na lang ako, taranThanos talaga eh!

The DDS artist even did a couple of revisions, two as per his upload on social media. The 2nd  and third turned into  more confusing, not necessarily better images. And the caricature does not favor Sarah at all..

Either hindi siya tunay na DDS, o confused lang siya talaga. 

He unintentionally admitted that his idols are murderers and that he and his disgusting DDS kind are blind followers and enablers.

Although puede ito ang next character ni Juana Change. 

The DDS are the real cancer in the society. A life-long disease that no medication can ever heal or kill. The worst virus of all viruses.

Isn't this the usual thing from Duterte and his team? They try to shock you with vulgarity and violence, then the next day they try to walk it back, claiming it was a joke or misunderstanding?

The artist behind Tarantadong Kalbo calls on Filipinos to speak out and stand up, ‘even if it feels like you’re the only one doing it.'  

It’s just so beautiful from one person standing up to the rest of us.  

We can also look beyond the politics of personality. For me, #Tumindig has a greater meaning. It encourages each and every one of us to stand up for his/her aspirations, dreams, and what someone wants in life. Kailangang tumindig para marating mo ang mga pangarap mo. 

Wazzup Pilipinas stands with Tarantadong Kalbo and other artists in defending the ideals of democracy against authoritarian rule.


Wednesday, July 14, 2021

Annual Donsol count identifies 26 new whale sha

Wazzup Pilipinas!?

Donsol - A couple new faces were among the old as the latest whale shark survey came to a close in Donsol.

The World Wide Fund for Nature (WWF) Philippines identified 58 individual whale sharks during the organizations’ 2021 population survey, held annually off the coast of Donsol.

Of the 58 whale sharks spotted during the survey, 32 were returning individuals that had been recorded during previous surveys. The remaining 26 were new to the site and had never been recorded before in Donsol.

The survey was conducted from March 27 to June 15, 2021 with a total of 27 days and 144 whale shark encounters. The highest number of encounters happened in the month of May, which clocked 78 encounters out of 144.

The previous season’s survey was suspended due to quarantine measures imposed by the government in March 2020 when the Covid-19 pandemic hit the Philippines.

This year, WWF-Philippines pushed through with the annual survey despite pandemic restrictions. The local government of Donsol and the local Bantay Dagat lent their support to the effort.

“We’re always pleased to see new individuals popping up in our annual whale shark survey. The waters off the coast of Donsol are really known for the whale sharks that pass through them. To be spotting new individuals year after year is proof that whale sharks still choose to come here,” said WWF-Philippines Project Manager Manuel Narvadez.

The Ticao-Burias Pass Protected Seascape (TBPPS), located between the provinces of Masbate, Sorsogon, Albay and Camarines Sur, is a biodiversity hotspot renowned for the presence of the charismatic whale shark.

Since 1998, WWF-Philippines has been working with the local government of Donsol and the Department of Tourism to protect the local whale shark population. Employing a landscape approach, WWF-Philippines and its local partners aim to minimize human pressures threatening the health of the TBPPS.

The conservation organization also helps operate a citizen science effort to keep track of whale sharks passing through the TBPPS. By tasking visiting tourists with documenting and sharing the whale sharks they identify while out on guided tours, WWF-Philippines has helped create employment for locals while developing a database of individual whale sharks that have passed through the area over the years.

While similar in appearance, each whale shark individual can be identified by the unique pattern of white spots across its body. The Wildbook for Whale Sharks maintains an online database of individuals that have been identified throughout the history of the species’ conservation.

“This International Shark Awareness Day is a good time to remind everyone of the need to safeguard places like the TBPPS, for the sake of species like the whale shark. Each new whale shark we identify serves as a reminder of the importance of protecting this precious place,” said Narvadez.

Winning with Nutrition: How Functional Carbs Can Support the Needs of an Athlete

Wazzup Pilipinas!?

Our nutritional needs can be as unique as fingerprints.

Athletes are an example of a consumer group with special nutritional requirements. Some of the more common concerns among these consumers include boosting energy levels before or during exercise, as well as post workout recovery. Research has shown that an overwhelming majority of Asian consumers turn to food and drinks for an energy boost, with energy drinks, fruits and sports drinks being particularly popular.

However, even among these active consumers, different athletes have different needs.

Endurance athletes for instance, require a diet that provides them with sustained energy. This is where functional carbohydrates, otherwise known as smart-release carbohydrates, can play a role. Functional carbohydrates, such as BENEO’s Palatinose™ (generic name: isomaltulose), can help to enhance fuel management and endurance by delivering full carbohydrate energy in a balanced and sustained manner. That’s why they can be used to meet a wide range of consumer needs — including those of athletes.

 So, what are the nutritional requirements of an athlete?

Athletes train regularly and rigorously. They are constantly pushing themselves to improve and surpass their limits, hence physically exerting themselves more than the average person. For athletes, not only is it absolutely essential to have sufficient energy, but it is also just as important to have efficient fuel management.

However, beverages such as energy or sports drinks tend to have a negative image with the consumers. About two-thirds (67%) of Asian consumers found that energy drinks provide an instant but short-lived energy boost, while 48% of them found that sports drinks fail to provide them with long-lasting energy[1]. More than half (53%) are also concerned that energy drinks are unhealthy[2]. This means that there is an opportunity to optimise products targeted at the energy-related nutrition market.

Why functional carbohydrates?

Carbohydrates are essential for athletes as they are our body’s main energy source. However, it is important to look at the quality of the carbohydrates we consume. ‘Fast carbohydrates’ such as maltodextrin and sucrose are commonly used in sports nutrition products, and release glucose into the bloodstream quickly when digested. This results in a rapid increase followed by a sudden decline in glucose levels as our body regulates the sudden rise, and this is known as the ‘boost and crash’ effect. While this is suitable for those in need of an instant burst of energy, these high-glycaemic carbohydrates are not ideal for those looking for endurance in their training or for achieving balanced energy levels throughout the day. Functional, or smart release carbohydrates, can help to provide a more steady and sustained energy supply, resulting in blood glucose levels that stay balanced — without sudden ups and downs.

Palatinose™, for instance, is ideal for athletes looking for a sustained energy supply. It is derived from pure beet sugar and also occurs naturally in small amounts of honey. In addition to having a natural, mild sugar-like taste with good solubility, this smart release carbohydrate is also fully yet slowly digested, thus providing full carbohydrate energy in a balanced and sustained manner. Scientific data from over 30 blood glucose response trials have all found a lower blood glucose response to Palatinose™ as compared to sucrose, maltodextrin, or other carbohydrates.

This lower and more balanced blood glucose response results in less insulin release and an improved metabolic profile, without the significant drops in blood glucose that are often associated with conventional higher glycaemic sugars. In addition, the lower insulin levels allow for a higher rate of fat burning instead of carbohydrate burning for energy supply. An increased fat burning rate is beneficial for the body composition of athletes, and also means that when Palatinose™ is used in sports nutrition products, consumers can draw on their carbohydrate reserves for longer.

Endurance athletes have also attested to its effectiveness. One of these athletes is Kafka Pampudi — an Indonesian CrossFit trainer who also regularly engages in endurance exercises such as cycling. After using Palatinose™ consistently for four months, he found that it had increased his endurance significantly. “When I was consuming regular carbohydrates, my energy was sustained for around one or two hours,” said Kafka. “But when I took Palatinose™, it can keep me energised for three hours or more!” He also discovered that supplementing with the functional carbohydrate helped to reduce his post-workout fatigue.

It is clear that athletes have very different dietary requirements — being a performance-driven group that regularly pushes themselves to meet their goals.

To help them keep up with strenuous physical activity, it is vital for them to factor in a relatively high energy intake. On the other hand, they must look towards products that deliver sustained, long-lasting energy to ensure consistency and endurance in their performance. Strong, promising functional ingredients like smart release carbohydrates can therefore suit their needs, helping them reach their full potential.

[1] BENEO (2020) Health & Nutrition Survey

[2] BENEO (2020) Health & Nutrition Survey

Saturday, July 10, 2021

From Zamboanga to the World: 'Cangrejos' Bags P1M Co-Production Fund from FDCP's Southern Voices Film Lab


Wazzup Pilipinas!?

“Cangrejos” directed by Zurich Chan and produced by Gale Osorio was declared the best Mindanaoan project at the 1st Southern Voices Film Lab (SoVo Lab) Awarding Ceremony held by the Film Development Council of the Philippines (FDCP) on June 27.


“Cangrejos” was awarded the top prize, the SoVo Lab Co-Production Grant worth PHP 1 million, as well as the special recognition Solar Sinag Award Film Distribution Service worth PHP 750,000.


“The quirky black comedy provides a gripping and engrossing way of looking at the dark side of a close knit community and culture. Absurd, funny, and enlightening as it deals with the subject of poverty and violence against the unsettling backdrop of a beautiful island. It impressively deconstructs the human psyche of its characters when faced with hopelessness and desperation with crabs as its central metaphor, animals who pull down and claw at each other until in the end, nobody gets out alive,” FDCP Chairperson and CEO Liza Diño read its citation during the online awarding.


“Thank you Southern Voices Film Lab not only for the grants but also for making us see the limitless potential of our films regardless of origin. Regional filmmakers always suffer from the lack of support and recognition but having film labs like this help validate filmmakers and their projects, which is a big step to develop a community and make it sustainable,” said Chan, who was rendered speechless during the awarding, in a Facebook post.


Meanwhile, “Dancing the Tides” directed by Xeph Suarez and produced by Alemberg Ang won the Special Jury Prize with a Co-Production Grant worth PHP 500,000. Two projects received the SoVo Lab Script and Project Development Grant worth PHP 300,000: “Devils in Paradise” directed by Joe Bacus and “Diwalwal” directed by Jarell Serencio and produced by John Torres.


“Devils in Paradise” also got the Wildsound Studios Inc. Audio Post-Production Grant worth PHP 100,000 while “The Widow” by Ryanne Murcia received the Cinemalaya Institute Production Management Workshop special award.


“Virgins of the River” directed by Julienne Ilagan took home three recognitions: the Center Stage Productions Script Development and Production Mentorship Grant worth PHP 500,000, Cinemalaya Institute Assistant Director’s Workshop for Film and Television, and Directors’ Guild of the Philippines Mentorship Grant with PHP 20,000 cash.


The FDCP established SoVo Lab in 2019 to boost regional cinema by discovering indigenous stories and empowering the voices of filmmakers from Mindanao. Rounding up the seven selected projects of the intensive script and development lab is “Misery Mountain” by Orvil Bantayan.


Discovering and empowering Mindanaoan voices through film


In March 2019, the FDCP called for applications from up-and-coming filmmakers who are residents of Mindanao and are developing their first, second, or third feature film. The seven SoVo Lab projects were each awarded a development fund worth PHP 100,000.


The SoVo Lab filmmakers went through three film labs for the development of their projects and advancement of scripts. The first leg of SoVo Lab in Tagum City, Davao del Norte in June 2019 had talks and individual script consultations featuring Southeast Asia Fiction Film Lab (SEAFIC) Executive Director Raymond Phathanavirangoon, Variety’s Chief Asia Film Critic Maggie Lee, producer Bianca Balbuena-Liew, and Mindanaoan filmmaker Sheron Dayoc.


The SoVo Lab Scriptwriting Session in Davao City in February 2020 featured Filipino writer, producer, and director Dodo Dayao and South Korean producer Yeonu Choi of CJ Entertainment and the SoVo Lab Producer’s Lab, held online in April 2021, had producers Balbuena-Liew, Isabelle Glachant, and Weijie Lai as mentors.


Throughout the course of SoVo Lab, “Cangrejos” was selected by SEAFIC 2019 and Hong Kong-Asia Film Financing Forum (HAF) 2021. “Dancing the Tides” was chosen by First Cut Lab Manila 2019, Ties That Bind 2020, and Cannes film lab La Fabrique Cinéma 202 while “Devils in Paradise” was in the ASEAN-ROK (Association of Southeast Asian Nations-Republic of Korea) Film Leaders Incubator (FLY) Film Lab, Asian Film Market 2019, and Full Circle Lab Philippines 2020.


“Cangrejos” producer Osorio, “Dancing the Tides” director Suarez, and “Devils in Paradise” director Bacus took part in SEAFIC Open House 2019 while “Virgins of the River” writer, producer, and director Ilagan participated in Rotterdam Lab 2021 of the 50th International Film Festival Rotterdam.


At the SoVo Lab Pitch Showcase on June 26, filmmakers presented their projects in seven-minute pitches to the Selection Committee and the Decision Makers. The Selection Committee was composed of Diño, Dayao, QCinema Festival Director Ed Lejano, public anthropologist, film critic, and film educator Tito Valiente, and international producer and trainer for several institutions, Izabel Igel.


The Decision Makers that pledged special awards are Center Stage Productions represented by Brillante Mendoza, Cinemalaya represented by Jay Abello, Directors’ Guild of the Philippines represented by Roni Bertubin, Solar Entertainment Corporation represented by Butch Ibañez, and Wildsound Studios, Inc. represented by Albert Michael Idioma.


The SoVo Lab awarding held the following day turned emotional as the participants’ two-year journey came to a close, with the FDCP Chairperson addressing the filmmakers of the national film agency’s first regional lab.


“I am deeply humbled to have been part of your journey, all of us at the FDCP care so much about your projects,” said Diño. “We want to make sure that we find a place conducive for you to just really be brave to explore and find in yourself how you can best represent this film that you want to share to the global audience, to our local audiences — audiences beyond your region all over the Philippines — because it’s your time. And this is the time for us to hear more feature films coming from the South.”


Diño continued, “This is a globally competitive industry and we need to have stories that best represent our skills through the films that we’re going to showcase out there.” She shared her excitement about seeing all SoVo Lab projects into fruition, adding, “You can be rest assured that FDCP will be there all the way to find opportunities to help you find platforms para maipalabas ninyo at magawa itong mga projects ninyo.”


FDCP Executive Director Ria Anne Rubia also congratulated the SoVo Lab filmmakers. “With SoVo Lab, we get to empower and discover more filmmakers from Mindanao and support them in their journey and growth not just with their projects and eventual films but as very, very promising individual talents as well,” she stated. “FDCP looks forward to supporting you all as you take the next steps to develop, produce, and release your projects.”

‘Dancing the Tides,’ 33 Filipino Companies Participate in Cannes Lab, Online Film Market


Wazzup Pilipinas!?


One regional film project and 33 production companies, institutions, and organizations comprise the Philippine representation at the La Fabrique Cinéma de l'Institut français and Marché du Film of this year’s Cannes Film Festival.


Established in 1959 during the 13th edition of the Festival de Cannes, the Marché du Film is the business side of the festival where film industry professionals gather to discover new film projects and gain experience from one of the biggest film markets in the world.


While the Marché du Film this year will have its onsite events as well, its online platform will cater the same experience in Cannes with live and real-time meetings to facilitate business and networking for film industry professionals from all over the world. For this year’s edition, the Philippines’ total of 37 individual delegates come from the Producers Network and Filipino Film Producers.


The Philippine delegates are from Atom & Anne Mediaworks Corp., Chimera Visions, Creative Caboose, Digital Dreams Inc., Globe Studios, IndieGo Pictures Entertainment Inc., Rein Entertainment Productions, and RR Entertainment.


Completing the list of participating companies are ABS-CBN Film Productions, Amaya Films, Animation Vertigo Asia, Inc., Binisaya Movement Inc., Cignal TV Inc., Daluyong Studios, Eichief Media/HFilms, Epicmedia Productions Inc., ERK Productions, Filcor Media and Events Production, Firestarters, Fullhouse Asia Production Studios, Inc., Heartleaf Film Production, Heaven's Best Entertainment, IRONoriel Productions, Ladder Production Films, Lakan Media Creatives, Mandala Video and Event Productions, Micromedia Digital Video Productions, QCinema, Reelabilities Studios, Sine Abreno, Ursa Studios Inc., UXS Inc., and Vineyard Films.


The delegates will be given access to online events and programs, Marché du Film Online booths and screenings, pavilions and participants’ information, online networking events to meet potential business partners, a 1-year free subscription to Cinando, and a  feature of their company profiles in the Marché du Film publication. The producers at the Producers Network will have access to Producers Network Programs and Meetings. The Marché du Film runs from July 6 to 15 in a hybrid format, while the 74th season of Festival de Cannes is from July 6 to 17 onsite.


“Over the years, the prestigious film market in Cannes has made international partnerships and collaborations available for our filmmakers. This year, regardless of the market being held online, it will continue to provide the same opportunities and experience that will greatly benefit our filmmakers in the industry,” said Film Development Council of the Philippines (FDCP) Chairperson and CEO Liza Diño.


Meanwhile, “Dancing the Tides” by Xeph Suarez is representing the country in the 2021 edition of La Fabrique, a film lab of the Cannes Film Festival. Suarez’s first feature film is about a Muslim transwoman named Astri, who is living in bliss with her boyfriend Tambulah in their conservative community. As Astri turns 16, her father reminds her that as a “man,” she must honor their tradition by marrying the girl betrothed to Astri.


In 2019, the film project was among the participants in the FDCP’s 1st Southern Voices Film Lab (SoVo Lab) where it received a development fund worth PHP 100,000. In the same year, the project was selected for the First Cut Lab Manila that was also supported by the Agency.


Suarez was a delegate to the 2019 Southeast Asia Fiction Film Lab (SEAFIC) and the following year, “Dancing the Tides” was selected for the Pustnik Screenwriters Residency 2020 and Ties That Bind 2020. At the 2021 SoVo Lab Awarding Ceremony in June, it received the Special Jury Prize with a Co-Production Grant worth PHP 500,000.


From July 6 to 17, “Dancing the Tides,” alongside nine other chosen projects, will take part in the film lab, a tailored program to help talented young directors from emerging countries increase their international exposure to create links with various partners.


The Cannes Docs under Marché du Film invited Daang Dokyu Festival Director Baby Ruth Villarama as a guest speaker for the event “Connecting the Dots: Asian documentaries and their home ground windows” to be held on July 8, while Suarez and producer Alemberg Ang will be part of the pitching session at La Fabrique Cinéma 2021 on July 11 to highlight on Coprocity partnership.


For more information on the Marché du Film, visit For the participating Filipino film project in La Fabrique, visit



The Philippine Delegation in the Marché du Film Online:


Producers at Producers Network


      Atom & Anne Mediaworks Corp. - Anne Prado-Magadia, President

      Chimera Visions - Marvin Lyndon Carmelo Matias, Creative Producer / Director

      Creative Caboose - Kim Homer Garcia, Producer

      Digital Dreams Inc. - Danzen Katanyag, President and Producer

      Globe Studios - Pauline Zamora, Producer

      IndieGo Pictures Entertainment Inc. - Vincent Soberano, Director and Producer

      Rein Entertainment Productions - Charmaine Guzman, Producer

      RR Entertainment- Rommel Ricafort, Owner



Filipino Film Producers


      ABS-CBN Film Productions -  John Paul Abellera, Creative Manager - International

      Amaya Films - Clint Taynan, Manager

      Animation Vertigo Asia, Inc. - Cris Dumlao, Animation Producer

      Binisaya Movement Inc - Gale Osorio, Producer

      Cignal TV Inc. - Aileen Samson, AVP-Syndication and Affiliate Sales Head

      Daluyong Studios - Alemberg Ang, President

      Eichief Media/HFilms - Howard Yambao, Managing Director

      Epicmedia Productions Inc. - April Batican, Producer/ Line Producer

      ERK Productions - Robert Rodriguez, Producer

      Filcor Media and Events Production  - Alan Filoteo, CEO

      Firestarters - Real Florido, Chief Creative Officer

      Freelance Commercial/Content Director and Filmmaker -  Jose Carlos Soliongco

      Fullhouse Asia Production Studios, Inc. - Maricel Ticar Santos, Executive Producer

      Globe Studios - Armi Rae Cacanindin, Producer

      Heartleaf Film Production, Carl Adrian Chavez

      Heaven's Best Entertainment - Harlene Bautista, President

      IRONoriel Productions - Noriel Jarito, Producer/Director

      Ladder Production Films - Andy Denson, Founder, CEO

      Lakan Media Creatives - Maria Lourdes Jimenez, Producer

      Mandala Video and Event Productions - Johanna Kirsten Lagman, Owner/Producer

      Micromedia Digital Video Productions - Keisha Therese Halili, Co-Founder

      QCinema - Ed Lejano, Festival Director

      Reelabilities Studios - Alex Poblete, Producer

      Sine Abreno - Dexter Macaraeg, Founder

      Ursa Studios Inc. - Suzanne Richiardone , Producer

      UXS Inc - Maria Madonna Tarrayo Bueno, President/CEO

      UXS Inc. - Grace Quisas, Producer

      UXS Inc. - Noemi Peji, Producer

      Vineyard Films - Raymark Estael, Director

Spanish LGTBI+ short film series at Instituto Cervantes

Wazzup Pilipinas!?

During the month of July, Instituto Cervantes Vimeo channel will host the short-film series “Te estoy amando locamente" (Falling in love with you madly), featuring eight different LGTBI+ stories by various Spanish filmmakers.

This film cycle presents personal stories, reflections, and testimonies that direct our gaze towards underrepresented realities in the cinema —and, one might say, in all artistic manifestations—: these are stories that deal, especially, but not only, with gender identity, homosexual love and transsexuality.

The series will kick off on July 7, Wednesday, with the screening of the 10-minute documentary "Una dedicatoria a lo bestia", released in 2019 by Nucbeade. A shocking documentary, it is a testimony about a little-known rehabilitation center for women between 13 and 21 years old that was in operation in a town near Madrid for four long decades. 

The short film will be available for 48 hours through this link: The film series will continue on July 10 & 11, with Después también (2019), by Carla Simón, a short film about HIV. The movie will be accessible through this link:

The following week, Instituto Cervantes will stream two more short films: On July 14 & 15, "Su", a complex story about love and life, directed by Laia Foguet in 2019 (link to the movie: On July 17 & 18, the award-winning short film "Víctor XX" (Ian de la Rosa, 2015) will take us to the barren and sunny landscapes of the Almeria coast to show a pleasant and absorbing story about the search for one's own sexual identity, the incomprehension of the others and the edginess that the final decision would cause. The movie will be accessible through this link:

The third week of the cycle will feature Cantando en las azoteas (Enric Ribes, 2017), a portrait of the 90-year-old Barcelona drag queen Gilda Love, accessible on July 21 & 22 through the link On July 24 & 25 the Chilean directors Felipe Elgueta and Ananké Pereira will present their short film Snap (2018). The documentary will be accessible through this link:

The final week of the film cycle will open with the short movie Alma (2018), directed by Santiago León Cuéllar in 2018. It will be available on July 28 & 29 through the link "El cuerpo de la mujer sin sombra" (Tamara García Iglesias, 2021) will conclude the film cycle on July 31. The short film will be accessible through this link:

The movies, presented by Instituto Cervantes in collaboration with the cinematographic distributor Marvin & Wayne, will be in Spanish with English subtitles. Admission is free. For further information and updates on this film series, please check out Instituto Cervantes’ Facebook site ( or the event page:

For further information about the cultural program of Instituto Cervantes please log on to Instituto Cervantes’ website (, or Instituto Cervantes Facebook page
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