The Global Pulse: The Mystery and Mastery Behind "Hawak Mo ang Beat"

Wazzup Pilipinas!? 

In the digital age, a hit song can ignite like a wildfire, leaping across borders and time zones before the artist even has time to check their notifications. Currently, the epicenter of this sonic blaze is “Hawak Mo ang Beat,” a track that has transformed from a catchy local tune into a viral juggernaut. But as the bass drops and the views climb into the millions, a storm of controversy is brewing behind the scenes, pitting human creativity against the rising ghost of Artificial Intelligence.

The Architect of the Rhythm: Who is DJ Mogo?

The face behind the phenomenon isn't a traditional pop star, but a man caught between two worlds. Sylvain Hernandez, known to the club scene and the internet as DJ Mogo, is a French national who found more than just inspiration in the Philippines—he found a home.

Settled in the islands with his Filipina wife, Hernandez has spent years blending European electronic sensibilities with the vibrant, rhythmic heart of Filipino culture. According to Hernandez, "Hawak Mo ang Beat" wasn't engineered in a corporate boardroom; it was a labor of love born within the four walls of his home, fueled by the collaborative spirit of his wife, who helped bridge the linguistic and cultural gaps to create a truly Pinoy-centric anthem.

A Viral Explosion

What makes the song a "lightning in a bottle" moment?

The Hook: A hypnotic, driving rhythm that feels both nostalgic and futuristic.

The Trend: Thousands of creators on TikTok and Instagram have adopted the track for dance challenges, transforming the song into a universal language.

The Fusion: It represents a "Budots-meets-Euro-House" evolution that resonates deeply with the modern listener.

The AI Shadow: Innovation or Algorithm?

Despite the song’s undeniable success, the digital courthouse of social media has reached a divided verdict. As the track’s popularity soared, so did the skepticism. Thousands of netizens began to point toward the song’s polished production and unique vocal layering, claiming that "Hawak Mo ang Beat" is the product of Generative AI.

The accusations suggest that the melody and lyrics weren't "composed" in the traditional sense, but rather "prompted" into existence. In an era where AI can mimic human emotion with unsettling accuracy, the public is becoming increasingly wary of "phantom hits."

"I did this with my own hands and my wife's help," DJ Mogo has fired back in recent statements. He has vehemently denied the use of AI, insisting that the track is a product of old-fashioned sweat, musical intuition, and genuine cultural appreciation.

Why the Controversy Matters

The debate surrounding DJ Mogo is a microcosm of the current state of the music industry. If "Hawak Mo ang Beat" is a purely human endeavor, it stands as a testament to the power of cross-cultural collaboration. If it were AI-generated, it would signal a massive shift in how we define "artists."

For now, the beat shows no signs of slowing down. Whether generated by a soul or a software, one thing remains certain: the world is dancing to Sylvain Hernandez’s rhythm. 

#EarthHour2026: BAN Toxics Call for Environmental Justice amidst War and Crisis

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Marking the 20th year of #EarthHour, environmental NGO BAN Toxics calls on every Filipino to move beyond the symbolic 60-minute switch-off, embrace energy conservation as a daily commitment, and recognize that conserving energy is more than a symbolic global movement—it is an urgent necessity in the face of a deepening energy crisis and environmental harm.

World Meteorological Organization's State of the Global Climate 2025 report confirms that 2015–2025 are the hottest 11 years on record, with 2025 ranking as the second or third hottest year at about 1.43 °C above the 1850–1900 average. The oceans continue to warm and absorb carbon dioxide emissions, about eighteen times the annual human energy use each year over the past two decades. The UN Secretary-General warns the climate is in an emergency, with every key indicator flashing red.

“We observe #EarthHour annually to remind us of our shared responsibility to protect the planet. Achieving this requires urgent, collective action across all sectors, coupled with greater accountability from corporations and governments. But how can we succeed while ongoing wars continue to intensify the environmental crisis?” said Thony Dizon, Advocacy and Campaign Officer of BAN Toxics.

According to the Conflict and Environment Observatory, militaries are responsible for an estimated 5.5% of global greenhouse gas emissions. This figure remains uncertain due to the limited reporting to the UN Framework Convention on Climate Change, as military emissions are largely exempt from disclosure. With military spending on the rise, the Stockholm International Peace Research Institute reports a 9.4% increase in 2024, these emissions are likely to grow further.

Based on analysis by the Climate and Community Institute, total greenhouse gas emissions from the first 14 days of the war against Iran amounted to more than 5 million tonnes of carbon dioxide—equivalent to the annual emissions of 1.1 million gas-powered cars—and represent over $1.3 billion in climate damage.

“War carries a hidden climate cost. It destroys ecosystems, infrastructure, and livelihoods, leaving polluted air, contaminated soil, and unsafe water long after the conflict ends. From Ukraine to Palestine, Lebanon, Sudan, Venezuela, and Iran, the devastation of war ripples far beyond battle zones, affecting civilians and ecosystems in profound and lasting ways,” Dizon explained.

The crisis caused by the US–Israel war on Iran has disrupted global energy supply chains, with attacks on energy infrastructure and blockades of the Strait of Hormuz reducing oil flows and driving price volatility. As a result, the Philippines, which imports roughly 98% of its oil from the Middle East based on the Department of Energy, is bearing the impact of these global supply shocks, with diesel prices surging past 120 pesos per liter.

In response, President Marcos Jr. signed Executive Order 110, declaring a national energy emergency. However, BAN Toxics emphasizes that the government must not shift the burden onto the public while leaving the long-standing structural flaws of the privatized energy sector unaddressed.

“In this time of war, climate change, and crisis, we must conserve energy and natural resources through energy-efficient practices, reduced consumption, and resist actions that harm the environment. We urge the government to ensure a people-centered response to the energy crisis by regulating fuel prices, suspending taxes, and providing immediate support for public transport drivers, low-income households, and other marginalized communities,” Dizon emphasized.

There are concerns that the emergency declaration could be used to fast-track corporate energy projects, without proper consultation or environmental safeguards, putting communities and ecosystems at risk and locking in profit-driven energy policies that fail to deliver affordable, reliable power.

“This #EarthHour, as we switch off our lights for the #BiggestHourForEarth, let us take a stand against environmental destruction and the social injustices fueled by war. Conservation is crucial, but environmental justice demands accountability, systemic reform, and the protection of communities caught in conflict and crisis, affirming everyone’s right to a clean, healthy, and sustainable environment,” Dizon said.

Power to the People: The Relentless Fight for the Filipino Energy Consumer

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In a landscape where electricity is more than just a utility—it is the lifeblood of the economy and a fundamental household necessity—one organization stands as a sentinel for the common citizen. Kuryente.org, a premier consumer rights and welfare organization, is redefining the power dynamic in the Philippines by championing a people-centered, transparent, and accountable energy sector.

The Voice in the Room

While energy policies are often debated in high-level boardrooms, Kuryente.org ensures the "public's voice" is heard where it matters most. Led by National Coordinator Jorge 'Bas' Umali—known to the digital world as the social media personality "Kuryentito"—the organization bridges the gap between complex regulation and everyday impact.

Umali is a constant fixture in the halls of governance, representing electricity consumers in critical House committee hearings, including:

Energy and Nuclear Energy 

Budget and Legislative Franchises 

Beyond the legislature, the organization works directly with the Energy Regulatory Commission (ERC) to advocate for the amendment of the Magna Carta for Electricity Consumers, ensuring that protections are not just theoretical but functional.

Strategic Advocacy and Action

Kuryente.org operates on the front lines of the energy crisis, producing timely analysis and insights on the issues that hit wallets the hardest. Their mission is built on four pillars of action:

Defending Rights: Protecting the welfare of every household paying into the power sector.

Building Bridges: Facilitating working relationships between government, industry, and civil society.

Policy Reform: Supporting changes that lower costs, expand energy choices, and improve system reliability.

Grassroots Engagement: Conducting regular consultations with local leaders and households to ensure the consumer agenda is grounded in reality.

A Media Powerhouse

From the pages of the Philippine Daily Inquirer to the airwaves of Super Radyo DZBB, Kuryente.org is a leading authority on energy sustainability and transparency. They have tackled the most pressing headlines of the decade, including:

Demanding transparency on Renewable Energy projects.

Engaging in dialogues regarding nuclear energy amidst national electricity crises.

Urging the deferment of charges to prioritize the Just Transition Bill.

Join the Movement

Kuryente.org remains open to expanding its impact through media interviews, op-ed contributions, and speaking engagements at seminars and forums. As the Philippines navigates a midterm shift and an evolving energy market, this organization remains dedicated to the belief that every story about power must involve the people who pay for it.

Contact Information:

* Email: kuryente.org@gmail.com * Phone: 09567126496 * Facebook: NGOkuryente 

Ramon Ang renews offer to sell Petron to government

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San Miguel Corporation (SMC) Chairman and CEO Ramon S. Ang renewed his offer to sell Petron Corporation back to the Philippine government, as the country navigates a national energy emergency and some lawmakers once again explore the possibility of returning the country’s only oil refinery to state hands.

“I first made this offer to Congress in 2021, and it remains open. If the government believes that Petron under its ownership will better serve the Filipino people especially in times like these, we are ready to sit down and make it happen,” Ang said.

He said the sale could be structured in tranches at fair market valuation so the government would not need to shoulder a lump-sum payment during a difficult fiscal period.

“We have never treated Petron as simply a profit center. We lost over P11 billion in 2020. We invested $2 billion to upgrade the Bataan refinery and kept it running even when it would have been easier to just import finished fuel, the way other oil companies chose to do. We did that because the country needs its own refining capacity. That has always been our reason,” he said.

With the Petron Bataan refinery processing 180,000 barrels per day and supplying roughly a third of national fuel demand, Ang noted that the facility’s importance to energy security has only grown amid the disruption of the Strait of Hormuz and record-high fuel prices.

“This is not about who owns Petron. This is about what is best for the country.”

New NAIA Expressway off-ramp to cut travel time to Terminal 3

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President Ferdinand R. Marcos, Jr., along with SMC Chairman and CEO Ramon S. Ang (right) and DPWH Secretary Vince Dizon, leads Friday’s opening of the new NAIA Expressway off-ramp link to Terminal 3.

Motorists heading to Ninoy Aquino International Airport (NAIA) Terminal 3 from the Skyway can now save about 15 to 25 minutes following the opening of a new off-ramp linking the NAIA Expressway directly to the terminal.

President Ferdinand Marcos, Jr. on Thursday led the opening of the Andrews Avenue off-ramp, which is intended to ease congestion on a key approach to the airport by allowing vehicles to bypass a persistent bottleneck.

Built by San Miguel Corporation (SMC) through its infrastructure arm, the new link is expected to improve access to Terminal 3 ahead of the Holy Week travel peak, when passenger volumes at NAIA typically rise.

SMC Chairman and Chief Executive Officer Ramon S. Ang said traffic in the area had been causing delays of as much as 30 minutes over a one-kilometer stretch due to heavy vehicle density.

The project includes a 320-meter, two-lane off-ramp along Andrews Avenue in Pasay City, along with road widening works at the at-grade section near the Circulo del Mundo Rotonda.

It was completed in 12 months, faster than the original 36-month estimate, following coordination among construction teams, contractors, regulators and government agencies, including the Pasay City government, the Department of Transportation (DOTr) and the Toll Regulatory Board (TRB).

Department of Public Works and Highways (DPWH) Secretary Vince Dizon said the project forms part of the Marcos administration’s push to expand public-private partnerships for transport infrastructure. “The President has made clear that we must work hand in hand with the private sector to deliver projects that ease the burden of daily travel for our kababayans,” Dizon said.

PHOTOS:

NAIAx Andrews Avenue Toll Plaza

The off-ramp links NAIAx to Andrews Avenue leading directly to Terminal 3

Deep Blue Ambition: The Philippines Redefines the Abyss at KUSPO 2026

Wazzup Pilipinas!? 

SEOUL, South Korea — Beneath the shimmering lights of the COEX Convention and Exhibition Center, a high-stakes transformation is unfolding. As the Korea Underwater Sports Expo (KUSPO) kicks off its four-day residency (March 26–29), the Philippine delegation, led by the Tourism Promotions Board (TPB), isn't just showing up—they are staking a claim as the undisputed titan of the underwater world.

This isn't merely a trade show; it is a tactical maneuver in the heart of South Korea’s massive sports and leisure industry (SPOEX). For the Philippines, the mission is clear: turn the silent depths of the Coral Triangle into a roaring economic engine.

The Surge: Breaking Records in the Deep

The momentum behind this year’s delegation is nothing short of electric. In 2025, the TPB’s presence at KUSPO shattered expectations, generating a staggering PHP 125 million in sales leads. This represented a gravity-defying 306.66% increase from the previous year.

That explosive growth has set the stage for 2026. The Philippines is no longer just a destination; it is a "top-of-mind" obsession for the South Korean market.

“South Korea is one of our most valuable tourism markets,” says TPB Chief Operating Officer Maria Margarita Montemayor Nograles. “KUSPO serves as a strategic gateway... Our goal is to co-create value in the dive and wellness sectors, ensuring our offerings remain compelling amidst a rapidly evolving tourism climate.”

Beyond the Oxygen Tank: A New Vision of Luxury

This year, the strategy has evolved. Recognizing that today’s traveler craves more than just adrenaline, the Philippine delegation is pioneering a "Resilient Portfolio." They are weaving together two seemingly opposite worlds: High-Growth Dive Tourism and Premium Wellness.

The pitch to South Korean travelers is a holistic one:

The Descent: World-class dive training and certification in the center of global marine biodiversity.

The Ascent: Luxurious, soul-recharging wellness experiences that utilize the natural richness of the Philippine islands to heal the body after a day in the deep.

The Epicenter of Life

As the "Center of the Center" of marine biodiversity, the Philippine pavilion at KUSPO acts as a portal to the world’s most diverse underwater ecosystems. From the haunting shipwrecks of Coron to the kaleidoscopic reefs of Tubbataha, the delegation is positioning the country as the ultimate "Blue Laboratory" for advanced underwater experiences.

By fostering direct dialogue between global professionals and local stakeholders, the TPB is ensuring that the Philippine dive industry doesn't just react to market trends—it sets them.

The invitation to the world is simple but bold: Discover the heartbeat of the ocean. Whether you are a professional buyer or a thrill-seeking enthusiast, the Philippines is beckoning you to dive deeper, stay longer, and emerge transformed.

Reverb Worship Releases New Song “Ako’y Sa ’Yo,” Official Soundtrack of CBN Asia’s Holy Week Special Tanikala

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Filipino singer-songwriter, worship leader, and pastor Andrea Badinas releases her newest single, “Ako’y Sa ’Yo,” under Reverb Worship, now available on Spotify, Apple Music, YouTube, and all digital streaming platforms. Produced and arranged by Eboy Refuerzo, the song serves as the official soundtrack of CBN Asia’s annual Holy Week special on GMA, Tanikala, with this year’s telemovie also titled “Ako’y Sa ’Yo,” based on Andrea’s personal testimony.

A former contestant on The Voice Teens Philippines, where her performances garnered over 13 million views online, Andrea has since grown into a compelling voice in Filipino worship music. She now serves as Youth and Worship Pastor at The House of Christian Fellowship in Cebu, ministering through worship, conferences, and youth outreach nationwide.

“Ako’y Sa ’Yo” captures the tension of a wandering heart and the relentless love of Jesus who pursues it, mirroring the story portrayed in this year’s Tanikala telemovie. “I pray they encounter the love of God and come to understand that no one could ever love us the way Jesus does. In Him alone, we are fully known and perfectly loved,” Andrea shares.

Rooted in her personal journey, the song tells the story of being found in the dark and embraced even in weakness. What begins in restlessness resolves into confident praise, as the once-wandering heart declares: “Hesus, ako’y sa ’Yo.” At its core, the song emphasizes that the greater story is not our wandering, but in God’s choice to call us His.

A particularly moving line, “Oh di ko makalimutan ang init ng Iyong yakap,” reflects a deeply personal encounter that shaped Andrea’s faith and inspired the song. “It broke me in the best way - not with shame, but with a conviction that led me to repentance. Even while I was running, He was still pursuing me,” she recalls.

Ultimately, “Ako’y Sa ’Yo” is a song of belonging - no longer wandering, but claimed, held, and found in Him.

Stream “Ako’y Sa ‘Yo” on Spotify, Apple Music, YouTube, and other major music platforms. Follow @ReverbWorshipPH on social media for more inspiring, faith-based music.

CBN Asia’s “Tanikala” Returns this Holy Week With a Story of Healing and Breakthrough in “Ako’y Sa ‘Yo”

Wazzup Pilipinas!? 

CBN Asia once again invites viewers to a timely moment of reflection with its much-anticipated Holy Week special, Tanikala presents “Ako’y Sa ’Yo,” airing this Good Friday, April 3, at 5:30 p.m. on GMA.

Topbilled by actress CJ de Guzman, the telecine tells the true-to-life story of Andrea Badinas, a soccer player and singer searching for identity and belonging. As she wrestles with her past and repeated sexual sin, she is confronted with a truth she can no longer ignore: that the breakthrough she longs for begins with facing who she is and where she truly belongs.

“Portraying the role was heavy. It was very hard, but in the end, it was the Lord’s peace that allowed me to embrace it,” CJ recalled.

The actress also shared an unexpected connection with real-life Andrea. They were both contestants on the reality singing competition The Voice Teens Philippines—in the same season and even taped on the same day—though their paths did not cross at the time. Looking back, CJ now sees it as ‘divine timing’.

“What a great God He is that He brought us together in the same season when we both already deeply love the Lord,” CJ shared.

Along with co-stars actress-model Junyka Santarin and theater actress Lala Lao, she opened up about how stepping into Andrea’s story made her reflect on her own life and encourages viewers to do the same.

“Looking at Andrea’s life, I actually see myself. I see my own life, my sins, my stubbornness. What resonated with me the most is how the Lord never grows tired of forgiving, never grows tired of pursuing, never stops nudging, knocking, and chasing. 

While we’re chasing after things, He’s chasing after us.”

Ako’y Sa ‘Yo is written by Gilbeys Sardea and directed by Timmy Yee, who also helmed last year’s high-rating Tanikala presents Preso. He hopes this year’s Holy Week offering will resonate with viewers struggling with questions of identity, past hurts, and repeated mistakes, and inspire them to embrace healing and spiritual breakthrough. 

In today’s world, there are many ideas of what ‘love’ is. But in reality, there is only one true kind of love, one that’s selfless. The most challenging part of this film was conveying that message to the audience with clarity and conviction, while still honoring the art and cinematic truth of Andrea’s story,” the director said.

This Holy Week, break free from the past and discover where you truly belong. 

Watch Tanikala presents Ako’y Sa ’Yo this Good Friday, April 3, at 5:30 p.m. on GMA.

Bacolod-produced films hit national stage, vie for Sinag Maynila awards

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Building on a historic season for local storytelling, director Charlene Mead Tupas and the Bacolod filmmaking community mark a significant milestone for Negrense cinema, showcasing local narratives to a wider audience.

Following her victories at the Sine Negrense Film Festival in 2024 and two consecutive Bacolod Filmfest editions in 2024 and 2025, her new short film has been officially selected for this year’s Sinag Maynila Film Festival.

“Tonton,” a poignant narrative focused on a woman managing a roadside eatery while dealing with a monotonous life, is joined by four other Bacolod-produced films in the national competition.

Last year, “Tonton” bested seven other entries to win Best Picture, Best Actress for Maria Victoria Mendoza, Best Cinematography for Giles Gelvoleo, and Best Production Design for Rowena Tupas at the 2025 BFF.

Tupas, an emerging voice celebrated for her heartfelt storytelling and steadfast commitment to socially engaged art, earlier swept the 2024 Sine Negrense with “Aninaw.”

The film follows three elderly friends exploring their changing hometown while reflecting on shared memories and the harmony between heritage and the future.

“Aninaw” captured the Best Film, Best Director for Tupas, Best Cinematography for Roscoe Cofreros, Best Actor for Reynaldo Dante Amaguin, Milton Dionzon, and Louis Dormido, and Best Poster for Ruer Torculas.

This set of awards followed the film’s strong debut at the 2024 Bacolod Film Festival, where it had garnered the Jury’s Prize for Ensemble Acting for the three main actors and Best Cinematography.

Tupas, an alumna of the Maskara Theatre Ensemble, continues to use her platform to explore the “fragility of memory.” She previously explored this theme in “Tsinelas,” the grand winner of the 2020 Nespresso Talents short film competition.

“As I offer this film to the beloved people of Bacolod... we must confront the uncertainties of change with courage and resilience, knowing that therein lies the potential for profound transformation and growth,” Tupas shared in her director’s statement.

In addition to the Sinag Maynila selection, Tupas previously served as an official delegate to the 17th Cinema Rehiyon in Butuan City, Agusan del Norte, further amplifying the voices of Bacolod filmmakers and ensuring that Negrense cinema will remain a more empathetic cultural landscape for years to come.

“Tonton” and four other Sinag Maynila finalists mark a significant expansion of the impact of Negrense cinema on the national stage. Joining “Tonton” in the Open Category are “Hoy! Pili ka na!” by Banjo Hinolan and “Blind Date” directed by Victor Villanueva and produced by Juan Carlo Miguel.

Meanwhile, competing in the Student Category are “Isa Ka Higayon” by Chelsea Tasic and “Tililing: E-Motion Sickness” by Dranreb Cimatu.

The $17 Billion Gamble: Why ‘Forgotten Island’ is the Ultimate Litmus Test for Filipino Stories

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For decades, the Filipino footprint in global animation has been a ghost in the machine. Look at the credits of any Disney masterpiece, Marvel blockbuster, or Netflix hit, and you will find our names. We have built the worlds, rendered the lighting, and animated the heroes. But we have almost always been the architects of someone else’s dream—essential, yet invisible in the background.

On September 25, 2026, that narrative doesn't just shift; it undergoes a seismic transformation.

With the release of "Forgotten Island," a major Hollywood titan isn't just hiring Filipino talent to build a world—they are betting millions that a Filipino world can conquer the globe.

The Discipline of a Giant: DreamWorks vs. Pixar

To understand why this matters, you have to look at the scoreboard. The animation industry is currently a battlefield of "bloated budgets" and "creative pivots." While other studios have faltered, DreamWorks Animation has quietly weaponized a rare trait: discipline.

They don't panic. They don't overspend. They just win.

"Puss in Boots: The Last Wish" was declared dead after a weak $12 million opening. DreamWorks stayed the course; it eventually clawed its way to $484 million.

"The Wild Robot" turned a $78 million budget into a $335 million victory.

"How to Train Your Dragon" soared to $627 million.

By focusing on efficiency and emotional resonance over spectacle, DreamWorks has done the unthinkable: they’ve overtaken Pixar in total global box office, sitting on a $17.3 billion throne. This is the studio currently holding the keys to the kingdom. And for the first time, they have looked at a story rooted in the Philippines and asked, "Will the world watch?"

The answer they arrived at was a resounding, "Let’s find out."

Beyond the "Struggle Narrative"

For too long, when the global stage looked at the Philippines, it saw a very specific, limited lens: poverty, the plight of overseas workers, or the weight of historical struggle. These are vital stories, but they aren't the only stories.

"Forgotten Island" is a rebellion against that box. Directed by Filipino-American Januel Mercado, the film doesn't try to "explain" the Philippines to an audience. It simply is Filipino. Through its razor-sharp humor, lush mythology, and distinctive setting, it uses our culture not as a teaching tool, but as a vibrant, fresh canvas for a universal human experience: the bittersweet ache of friendship and the reality of growing apart.

"This isn't about waving a flag or forcing pride. It’s about proof. In Hollywood, nothing moves unless it works financially."

The Brutal Reality of the "Green Light"

Make no mistake—this isn't a charity project born of a sudden love for the archipelago. This is a high-stakes experiment. In the entertainment industry, success creates a pipeline; failure welds the door shut.

If Forgotten Island scales, it proves to every executive in Burbank and Los Gatos that Filipino creators, settings, and mythos are a "category." It signals to investors that our stories are a viable, profitable commodity. It turns a "one-time experiment" into a movement.

But if it fails? The industry goes back to the safe, the familiar, and the "maybe not yet."

The First Crack in the Door

The stakes for Forgotten Island transcend representation. This isn't just about "feeling seen"—it’s about being undeniable. We are moving from the background to the center of the frame, testing whether a story born from our soil can carry its own weight on the world stage.

On September 25, the world will decide if the door stays open.

Angara pushes stronger farm-to-school links during Batangas school visit

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LIPA CITY, Batangas, 26 March 2026 — Education Secretary Sonny Angara on Thursday underscored the role of agriculture in improving student nutrition and strengthening local communities as he met with farmer cooperatives during a visit in Batangas.

Angara joined farmers, school officials, and education stakeholders in a dialogue aimed at strengthening the connection between schools and local agriculture through the Department of Education’s expanded School-Based Feeding Program (SBFP). The initiative seeks to source fresh produce directly from farmer groups while providing more nutritious meals for learners.

The school visit formed part of a multi-agency program in Batangas led by the Office of the Executive Secretary that also included the inauguration of new infrastructure projects and the opening of additional school facilities in Lipa City.

At Tangway Integrated School, Angara met with representatives from nine farmer cooperatives and discussed how local agricultural production can support school feeding efforts and help ensure a steady supply of fresh vegetables for students.

“Kinikilala natin ang mahalagang papel ng ating mga magsasaka, lalo na sa gitna ng mga hamon na kanilang kinakaharap,” Angara said. “Malaki ang ambag nila sa Expanded SchoolBased Feeding Program na mas marami nang mag-aaral ang maaabot.”

DepEd is set to launch its largest School-Based Feeding Program yet after securing a historic PhP25.6 billion budget for School Year 2026–2027, more than double the PhP11.8 billion allocated in 2025. The expanded funding is expected to support 4.63 million learners starting June, making the program one of the largest nutrition interventions in public schools of President Ferdinand R. Marcos Jr.’s administration.

Tangway Integrated School currently serves 895 learners, and its feeding program supports undernourished students through regular feeding activities using vegetables sourced from its school garden and nearby farms. For School Year 2025–2026, the school provided nutritious
meals to 121 undernourished learners, contributing to improvements in learner health, attendance, and participation in class activities.

The school is being positioned as a pilot site for a farm-to-school procurement model, which aims to allow farmer cooperatives to directly supply produce to schools. The approach is expected to create a stable market for farmers while ensuring fresh and nutritious meals for
students.

Earlier in the day, Angara joined Executive Secretary Ralph Recto and other Cabinet officials in inaugurating a four-storey, 16-classroom building at Padre Valerio Malabanan Elementary School in Lipa City, part of government efforts to address classroom shortages and improve
learning spaces.

The activities were part of the broader “Matatag na Batangas Tungo sa Bagong Pilipinas” initiative, which highlights cooperation between national agencies and local governments to strengthen infrastructure, social services, and education programs for Filipino learners and
families

𝐌𝐠𝐚 𝐠𝐚𝐰𝐚𝐢𝐧 𝐚𝐭 𝐩𝐫𝐨𝐠𝐫𝐚𝐦𝐚𝐧𝐠 𝐩𝐚𝐧𝐠𝐰𝐢𝐤𝐚, 𝐭𝐢𝐧𝐚𝐥𝐚𝐤𝐚𝐲 𝐬𝐚 𝐩𝐚𝐤𝐢𝐤𝐢𝐩𝐚𝐠𝐩𝐮𝐥𝐨𝐧𝐠 𝐧𝐠 𝐊𝐖𝐅 𝐬𝐚 𝐂𝐚𝐠𝐚𝐲𝐚𝐧

Wazzup Pilipinas!? 

Nakipagpulong si Tagapangulong Atty. Marites Barrios-Taran ng KWF kay Gobernador Edgar Aglipay sa pagbisita sa Cagayan Provincial Capitol, Lungsod Tuguegarao noong 17 Marso 2026.

Ibinahagi sa pulong ang mga gawain at programa ng KWF sa pagpapaunlad at pangangalaga ng wikang Filipino at mga wika ng Pilipinas.

Dumalo rin dito sina Undersecretary Harold Cabreros ng Office of Civil Defense (OCD) at Vice Mayor Lloyd Antiporda ng bayan ng Buguey upang ibahagi ang pag-unlad at kalagayan ng Cagayan Valley.

Napagtuonan ng usapan ang pagtugon sa krisis sa literasiya ng kabataan sa pamamagitan ng pagpapahalaga sa wika, kultura, at kasaysayan sa mga paaralan.

Napagkasunduan ng mga opisyal na maglatag ng mga hakbang upang mapangalagaan ang mga nanganganib na wika sa lalawigan at mapanatili ang lokal na identidad ng mga mamamayan.

‘BIDA Community Run’ drives support for school kits nationwide

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Volunteers of I am MAD (Making A Difference) Volunteers, Inc., along with partners and supporters, gathered before sunrise along Bayshore Avenue at the SM Mall of Asia Complex for the first-ever BIDA (Bigay Ayuda) Eskwela Community Run, an initiative that combines fitness and volunteerism to support education.

The run aims to raise donations for the “Bag of Dreams,” a package of essential school supplies for beneficiaries of the 2026 MAD Camps. The program, I am MAD’s flagship initiative, brings volunteers to under-resourced schools nationwide to conduct values formation sessions for students and parents, alongside the distribution of school supplies and bags.

Proceeds from the run will support students participating in the 2026 MAD Camps across communities in Aklan, Bataan, Camarines Sur, Agusan del Norte, Laguna, and Negros Oriental. Each Bag of Dreams represents a step toward empowering a child’s learning journey.

The initiative was made possible through the support of partners PUMA Nitro Run Club, Power Mac Center, Rexona, and Sarangani Electric Company, who joined the effort to champion education and youth empowerment.

The run is part of I am MAD’s 16th anniversary celebration, marking sixteen years of “Shining the Light of Volunteerism” under the campaign theme #BR16HTER.

Beyond the run, the organization recently held its annual MAD Meet, its volunteer reunion and anniversary celebration, for the first time in General Santos City. The gathering brought together volunteers from across the country for team-building activities, recognition of exemplary service, and the announcement of key initiatives and volunteer leaders.

Registration is ongoing for MAD Camps, a volunteer-driven outreach program for children aged 10 to 12. Interested volunteers may sign up at bit.ly/MADcamp2026reg, while donations may be made through bit.ly/bidadonate.

AirAsia MOVE named Digital Innovator of the Year at Aviation Festival Asia 2026

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AirAsia MOVE team, led by Lim Ben-Jie, Chief People and Partnerships Officer (right) accepted the award from Sohail Ali, Aviation Consultant and AFA Award presenter (middle) at the Aviation Festival Asia Keynote Stage yesterday.

 

SINGAPORE, 26 March 2026 – AirAsia MOVE (MOVE) has been named ‘Digital Innovator of the Year’ at the Aviation Festival Asia Awards 2026. The accolade, presented at the ceremony on Wednesday, recognizes the platform’s pivotal role in transforming the digital travel booking landscape in the region.

Aside from being a travel platform that offers access to over 700 global carriers and more than a million hotels, MOVE is powered by enhancements to its AI-driven AskBo chatbot, a refreshed user interface, and exciting offerings such as MOVETIX, its global live-events ticketing platform and Easy Cancel feature.

Nadia Omer, CEO of AirAsia MOVE said, “Being recognized alongside industry leaders like Qatar Airways and Changi Airport Group reinforces our position at the forefront of travel innovation. With over 15 million monthly users, we are encouraged by this award to continue providing affordable travel, enabling our guests to favour discovery for less. This is a testament to the hard work of our Allstars and the trust of our partners, guests and those who voted for us."

MOVE’s next phase will emphasize social discovery, enabling users to find trip inspiration through content, and booking it all seamlessly in one place, and remains committed to being a platform that keeps travellers curious, connected, and inspired.

Domestic abuse tops VAWC-related calls to 911; victims assured of safe, confidential reporting

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Domestic abuse continues daily in Philippine households, alongside wife battery, maltreatment, and rape, while children face online sexual abuse and exploitation, violent discipline, incest, bullying, neglect, psychological abuse, and economic exploitation.



Data from the Emergency 911 National Office from January 2025 to February 2026 shows domestic trouble as the most reported case, with 2,533 calls involving physical, sexual, psychological, or economic abuse. Wife battery, maltreatment, and rape cases followed at 214,209 and 106 incidents, while 173 calls involved child abuse.



Other cases included sexual harassment (80), acts of lasciviousness (60), prostitution (8), human trafficking (5), abandoned children (3), and abortion (1). Most VAWC calls came from Calabarzon, Metro Manila, Central Luzon, and Cebu Province, followed by Dumaguete and Bacolod.

E911 National Office Executive Director Francis Fajardo said the hotline receives an average of 300 to 500 VAWC-related calls monthly, with increased reporting since the September 2025 rollout of Unified 911. He clarified that the rise does not necessarily mean more abuse, but reflects improved reporting through an easy-to-remember hotline and faster response using next-generation technology.



Call-handling efficiency also rose to 98 percent from 48 percent in 2024.



Despite this, many victims remain hesitant to report, even with confidential assistance available through the Philippine National Police and barangay VAWC desks.



Robert Llaguno, Country Head of NGA Philippines, assured victims they can safely and privately call 911.



“Abuse victims need not fear exposure or suffer retaliation from their tormentors when they call for help using 911. The next-generation emergency system that we have has enhanced security and privacy protocols that protect caller confidentiality even while voice calls, real-time text, photos or videos are being transmitted. The system is built on secure, IP-based networks that make sure personal data shared during an emergency is used only for the purpose of delivering immediate assistance,” Llaguno explained.



“All data, including caller location, is protected from unauthorized access during the emergency call. Digital infrastructures make sure that all information shared between caller and the emergency call center is confidential and secure. The system is engineered to protect the caller and also provide situational awareness to the first responders,” Llaguno assured.



He added that access is simple and nationwide.



“There are only three numbers to remember wherever you are in the country. Dial 911 and within seconds, the integrated system goes to work. Trained call takers evaluate the call to determine what type of emergency response is needed. The call goes through a network that engages the national police, the Bureau of Fire Protection, medical services and LGUs so help arrives almost instantly at the exact location of the call.



“The service is free and is available 24/7. It is language-sensitive so callers can converse in Tagalog, Cebuano, Waray, Ilocano, Tausug, and other native languages,” Llaguno added.



He urged continued use of the system beyond Women’s Month.



“It is time for women and children anywhere in the Philippines to get the respect, care and protection that they deserve. Now they have someone who will listen, act, and protect them from harm. The unified 911 system is designed to give citizens peace of mind and a reliable lifeline.”



As DILG Secretary Jonvic Remulla said, “Unified 911 should not just be a hotline. It is a lifeline. Every second matters, every call matters, every life matters. This is government fulfilling its promise that help will always be within reach.”

The Million-Ton Moonshot: Microsoft and Liferaft Strike Historic Blow Against Carbon

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In the quiet, rolling landscapes of Iowa and Illinois, a quiet revolution is being unearthed. What looks like simple black charcoal is becoming the cornerstone of a high-stakes battle for the planet’s future.

In a move that sends a seismic shock through the burgeoning carbon removal industry, tech titan Microsoft has inked a massive, ten-year deal with U.S.-based Liferaft. The agreement is staggering in scale: Microsoft has committed to purchasing one million carbon removal units (CRUs), marking the largest biochar-based carbon agreement ever witnessed on American soil.

The Alchemy of Biochar

At the heart of this deal is an ancient process reinvented for a modern crisis. Biochar—or biological charcoal—is created by heating organic waste like forest residue and crop husks in an oxygen-free vacuum. This process, known as pyrolysis, prevents the biomass from rotting and releasing CO2 back into the atmosphere.

Instead, the carbon is "locked" into a stable, rock-solid form. When buried in the earth, this carbon doesn't just disappear; it stays sequestered for centuries. But the magic doesn't stop at storage. This "black gold" is blended with compost to rejuvenate depleted soils, boosting fertility and helping farmers heal the land while they save the sky.

A Rural Renaissance

This isn't just a win for the climate; it’s a lifeline for the American Heartland. The CRUs will flow from Liferaft’s state-of-the-art facilities in Iowa and Illinois, transforming local agricultural waste into a high-value global commodity.

"We are excited to announce this transformative deal," said William Cowell de Gruchy, CEO of Liferaft. He emphasized that the project is about more than just carbon—it’s about people. The deal is set to spark a surge in high-quality job creation and specialized training in rural communities that have long been overlooked by the tech boom.

"This demonstrates how carbon removal can strengthen agricultural communities, improve land outcomes, and deliver durable climate impact," noted Phillip Goodman, Director of Carbon Removal at Microsoft.

Microsoft’s Race to Zero (and Beyond)

For Microsoft, this million-ton acquisition is a tactical strike in its ambitious "Moonshot" climate goal: to be carbon negative by 2030. The company isn't just looking to erase its current footprint; by 2050, it intends to remove every ounce of carbon it has emitted since the day it was founded in 1975.

With a record 45 million metric tonnes of carbon removal agreements signed recently, Microsoft has established itself as the undisputed heavyweight champion of the carbon market. By partnering with Liferaft, they are betting big on biochar’s scalability and its unique ability to offer low-cost, long-term storage.

The New Standard

Facilitated by the carbon marketplace Supercritical, the deal was built on a foundation of rigorous "Monitoring, Reporting, and Verification" (MRV). Every ton of biochar is tracked from the pyrolysis kiln to the farmer's field, ensuring that the carbon stays exactly where it belongs: out of the air and in the ground.

As the world watches, the fields of the Midwest are no longer just growing corn and soy—they are growing a cooler, more stable future for the planet.

The Mythic Awakening: DreamWorks Dives into the Heart of the Philippines

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The whispers of the diwata are no longer confined to the shadows of Mount Makiling—they are heading to the global big screen. DreamWorks Animation has officially pulled back the curtain on its next tentpole feature, "Forgotten Island," and the first trailer confirms what fans have long suspected: this is a love letter to Philippine mythology on a scale never before seen in Western animation.

Directed by Januel Mercado—the visionary co-director behind the Academy Award-nominated Puss in Boots: The Last Wish—the film looks to do for Filipino folklore what Coco did for Mexican tradition and Moana did for Polynesian culture.

A Journey Beyond the Veil

The story follows two high school graduates, Jo and Raissa, whose post-graduation summer takes a turn for the supernatural. What begins as a routine trip quickly spirals into a "comedy adventure" that transports the duo to a hidden realm where the ancient myths of the Philippines aren't just stories—they are breathing, living, and often dangerous realities.

The trailer teases a world lush with bioluminescent jungles and towering stone monuments that evoke the legendary Biringan City. We catch glimpses of creatures that have haunted Filipino dreams for centuries, reimagined with the trademark DreamWorks polish: majestic spirits, mischievous tricksters, and perhaps even the colossal Bakunawa moon-eater.

A Powerhouse Filipino Cast

Perhaps most compelling is the film’s commitment to authentic representation, assembling a "vocal Avengers" of Filipino talent:

H.E.R. (Gabriella Sarmiento Wilson) & Liza Soberano: Lending their voices to Jo and Raissa, the duo anchors the film’s emotional core. Their chemistry in the trailer suggests a grounded, relatable friendship set against an impossible backdrop.

The Icons: The supporting cast is a masterclass in Filipino excellence. Global theater legend Lea Salonga joins alongside BAFTA-nominated Dolly de Leon, bringing a gravitas that suggests we’ll be seeing the more regal and formidable side of Philippine deities.

The Comedic Relief: Jo Koy rounds out the lineup, likely providing the sharp-witted humor necessary to navigate the film’s high-stakes peril.

Why "Forgotten Island" Matters

For decades, Philippine mythology has remained one of the most untapped goldmines in the fantasy genre. With its blend of pre-colonial animism, Spanish-influenced gothic horror, and vibrant island biodiversity, it offers a visual palette unlike anything else.

By placing Mercado at the helm, DreamWorks is leaning into a director who knows how to balance high-octane action with genuine existential heart. If the trailer is any indication, "Forgotten Island" won't just be a journey for its protagonists—it will be a global introduction to the Tikbalangs, Sarimanoks, and ancient gods that have waited a long time to be remembered.

The archipelago is calling. Are you ready to find the island?

Bekët Panitikan: Para sa Katwiran at Kalikasan

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Kumukuha ng katutubong lakas ang tema ngayon ng Buwan ng Panitikan para itanghal ang kapangyarihan ng panitikan na pagkaisahin ang bayan. Hango ang “bekët” sa mga Agutaynë́n ng Palawan at nangangahulugan ito ng pagkakaisa at pagbibigkis.

Sa ganitong paraan, kinikilala ng “Bekët Panitikan” ang mahalagang ambag ng katutubong haraya sa pagbuo ng panitikang pambansa. Dahil ang bayan ay binubuo ng iba’t ibang pamayanan ng mambabasá’t manunulat na patuloy na yumayabong ang ugnayan. Itinatanghal din nito ang panitikan bilang mahalagang bigkis sa haraya, gunita, at intelektuwal na pag-unlad ng bayan.

Ang subtema

Mahalagang pinaglalaanan ng pokus ang pagkakaisa na itinataguyod ng panitikan. Sa pagdiriwang na ito binibigyang-pansin ang pangangailangan upang pagkaisahin ang lakas para sa katwiran at kalikasan. Ang katwiran, at ang pananaig nito sa bayan, ay noon at noon pa idinambana ng mga bayaning manunulat ng bayan para marating ang minimithing ginhawa at kalayaan. Mahalaga rin ang pagbibigkis para sa kalikasan upang maging maláy pa lalo ang mamamayan sa kanilang gampanin na pangalagaan ito. Dahil bahagi lamang sila nito at kailanma’y hindi makatataas sa kalikasan.

Bekët hindi?

Sa dulo, isang pang pamilyar na tanong ang aalingawngaw kapag binigkas ang katutubong pamana ng mga Agutaynë́n: Bakit hindi panitikan? Dahil nasa ikalawang dekada na ng implementasyon ang pagdiriwang ng Buwan ng Panitikan mula nang ilabas ang Proklamasyon Blg. 968 noong 2015, patuloy ang panawagan para sa pagpapahalaga at patuloy na pagpapayaman pa ng tangkilik sa panitikan ng bansa. Dahil sa hulí, ang panitikang pambansa rin ang magpapakita ng ating malalim na ugnayan sa isa’t isa bilang kapuluan ng mga wika, bilang kapuluan ng mga tekstong patuloy na nabubuhay.

EcoWaste Coalition Urges Swift Action to Protect Children from Imitation Roblox Toys with Lead-Containing Parts

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(Lead exposure early in life may contribute to irreversible damage to brain development, group warns)

26 March 2026, Quezon City. Amid ongoing safety reviews of Roblox and other online gaming platforms, the EcoWaste Coalition called on the government to also look into the proliferation of knock-off Roblox plastic figures in the market.

“As the authorities tighten their watch on Roblox and other online games amid child exploitation concerns, we also urge the authorities to block the entry of imitation Roblox figure toys with lead-containing parts, which may pose lead-poisoning risks,” said Aileen Lucero, National Coordinator, EcoWaste Coalition, noting “childhood lead exposure can irreparably damage the brain and nervous system, and is linked to aggressive and violent behavior later in life.”

“Because lead causes permanent, irreversible damage to a child’s developing brain and body, exposure prevention is the only solution. Since no amount of lead exposure is safe, we must strictly eliminate all sources, like contaminated toys, to protect children before harm occurs,” said Dr. Geminn Louis Apostol, Environmental Health and Global Health Security Flagship Program Head, Ateneo School of Medicine and Public Health - Center for Research and Innovation (ACRI).

The toxics watchdog group sounded the alarm after conducting chemical screenings on imitation Roblox figures being sold in Binondo, Manila, particularly at toy stores in popular budget shopping malls.

As part of its advocacy to expose lead-containing products, inform consumers and regulators, and control, if not eliminate, the risks that such products pose, the EcoWaste Coalition bought 14 sets of Roblox figures, all made in China, which are sold for P100 to P250 per set. All in all, 60 assorted Roblox figures were collected.

Using an Olympus Vanta M Series X-Ray Fluorescence (XRF) analyzer, the EcoWaste Coalition screened the 60 Roblox figures for heavy metals, particularly lead, a toxic chemical associated with stunted growth, learning disabilities, lowered IQ, and behavioral problems, as well as juvenile delinquency and violent crime in later years.

While lead was not detected on the hard plastic parts, 28 out of the 60 Roblox figures analyzed had lead contamination in their PVC head accessories. These accessories, which can be easily detached, handled, or chewed by children, contain lead levels up to 1,602 parts per million (ppm), with 11 items exceeding 1,000 ppm.

US regulations, particularly the Consumer Product Safety Improvement Act, prohibit lead in children’s toys, limiting total lead content in accessible parts to 100 ppm and lead in paint to 90 ppm. The DENR-issued Chemical Control Order (CCO) for lead and its compounds also prohibits the use of lead in the manufacture of toys.

All samples provided small-parts choking warnings, but lacked any mention of lead hazards on the labels. The samples were all inadequately labeled, the EcoWaste Coalition observed.

While the labels identify China as the country of manufacture and provide for age grading and choking hazard alert, the other mandatory labeling requirements, as per RA 10620 or the Toy and Game Safety Labeling Act, are missing such as the manufacturer’s markings, the License to Operate (LTO) number issued by the Food and Drug Administration (FDA), instructional literature, and the item, model, stock keeping unit (SKU) number.

The EcoWaste Coalition will duly notify the FDA about its findings and reiterate the necessity of removing lead-contaminated Roblox toys from the market to protect children.

The Future of Thomasian Media: Bida One Production Unveils a Dual-Sensation Season

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In a bold fusion of student life and environmental activism, Bida One Production—a powerhouse formed by the third-year Communication students of the 3COM1 block at the University of Santo Tomas—has officially announced a groundbreaking lineup of television shows for their latest production cycle. Operating under the Faculty of Arts and Letters’ Department of Communication and Media Studies, these young visionaries are set to redefine campus media with two distinct series: the emotionally resonant campus drama "On Your MARCH" and the high-stakes sustainable fashion competition "KATHALIKASAN".

On Your MARCH: Navigating the Thomasian Soul

Launching on March 27, 2026, the first series, On Your MARCH, is a student-centered campus saga that captures the high-stakes journey of becoming and remaining a Thomasian. This isn't just a guide; it is an immersive narrative designed to inform and empower.

Episode 1 (March 27): The journey begins at the precipice of the USTET. Viewers will follow a student navigating the anxiety of the admissions test, supported by expert insights from the Office for Admissions and the show’s digital mascot, TomTom.

Episode 2 (April 6): The drama shifts to the pursuit of opportunity. After passing the entrance exam, the narrative dives into the complex world of scholarships, featuring guidance from the Office of Student Affairs to help students pursue their dreams with confidence.

Episode 3 (April 13): The finale looks toward the horizon, tackling the daunting transition from campus life to the professional world. With help from the Career Center, the show explores how internships and organizations forge the path toward graduation and beyond.

Supporting SDG 17: Partnerships for the Goals, this series emphasizes the collaboration between students and university institutions to foster a supportive community.

KATHALIKASAN: Where Waste Meets the Runway

While On Your MARCH explores the internal journey, Bida One’s second production, "KATHALIKASAN," turns its gaze outward toward the planet. This sustainability-driven competition challenges students to transform everyday waste into "fashion-forward" masterpieces, championing SDG 12: Responsible Consumption and Production.

Episode 1 (April 27): The competition ignites. Teams introduce their creative campaigns and mechanics, setting the stage for a battle of environmental wit and design.

Episode 2 (May 4): The tension rises in the studio. This episode documents the grueling process of gathering materials and the "final assembly" of outfits under strict time constraints.

Episode 3 (May 11): The grand finale. A high-energy runway showcase where models present completed designs crafted exclusively from recycled materials. The season concludes with a dramatic reveal of rankings and the crowning of the sustainability champion.

The Minds Behind the Vision

This ambitious dual-show season is spearheaded by a dedicated leadership team committed to professional-grade storytelling:

Supervising Producers: Abigail C. Belza and Chrisna S. Granil

Business Development Heads: Dominique Jean M. Santos and Cobbie Andrew C. Feliciano 

From the halls of the Faculty of Arts & Letters to the flicker of the television screen, Bida One Production is proving that the next generation of communicators is ready to tackle the world's most pressing stories—one episode at a time.

The Gastronomic Throne: Hong Kong Sweeps Asia’s 50 Best Restaurants 2026

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The air in Hong Kong was electric on 25 March 2026 as the city didn’t just host the Oscars of the culinary world—it conquered them. In a historic first, the Hong Kong Tourism Board (HKTB) brought the Asia’s 50 Best Restaurants awards ceremony to its shores, transforming the city into a high-stakes arena where the finest chefs on the planet gathered to witness a local revolution.

A Historic One-Two Punch

In a breathtaking display of culinary dominance, Hong Kong claimed the top two spots in Asia.

The Chairman, the legendary bastion of Cantonese excellence, was crowned The Best Restaurant in Asia for the second time.

Wing, the contemporary Cantonese powerhouse, followed closely behind, securing a stunning second place.

"To achieve it here in Hong Kong makes it even more meaningful," remarked Danny Yip, owner of The Chairman, reflecting on a victory that solidified the city’s status as the ultimate "Culinary Capital".

The Force of Ten: A City-Wide Triumph

The accolades didn't stop at the top. Hong Kong’s presence on the list was a relentless wave of talent, with ten restaurants recognized across the full 1-100 ranking.

Inside the Top 50:

Neighborhood (No. 24) 

Estro (No. 32) 

Caprice (No. 35) 

Mono (No. 46) 

On the Extended 51–100 List:

Ta Vie (No. 68), Vea (No. 70), Andō (No. 88), and Amber (No. 90) all stood strong, proving that Hong Kong's culinary depth is as vast as its skyline.

Beyond the Ceremony: A Feast Without Borders

This wasn't just a night of trophies; it was a city-wide celebration of flavor. For the first time, HKTB partnered with the organizers to launch 11 exclusive Collaborative Signature Sessions.

Forty internationally renowned and local award-winning restaurants joined forces, creating "tasting surprises" that merged global cuisines at a single table. From high-octane collaborations like Estro x Baan Tepa x Born to the sophisticated fusion of Louise x Odette x Villa Aida, the city became a living, breathing laboratory of gastronomic innovation.

The Global Spotlight

The HKTB left no stone unturned in broadcasting this triumph to the world. Media from the Chinese Mainland, South Korea, Thailand, and beyond were treated to immersive experiences:

Masterclasses: Dim sum workshops led by Chef Wong Lung-to of Forum Restaurant and egg tart baking sessions.

Chef Exchanges: In-depth sessions with local luminaries like Vicky Cheng of VEA.

Street Culture: Showcasing the soul of the city through specialty "Kitchenware" and "Dried Seafood" streets.

With over 200 restaurants now listed across the "Asia's 50 Best," MICHELIN Guide, and Black Pearl Restaurant Guide, Hong Kong has sent a clear message to the world. The "Culinary Capital" isn't just a title—it's a promise.