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An absurdist play by Samuel Beckett, in which two characters, Vladimir and Estragon, wait endlessly and in vain for the arrival of someone named Godot. It premiered on January 5, 1953 in the Théâtre de Babylone, Paris. Since then it has been subject to many, philosophical, religious, existential, and even political interpretations. The production was perhaps the most successful ever. Beckett's second masterpiece. Endgame, premiered on April 3, 1957 at the Royal Court Theatre in London. All of Beckett's major works were written in French. He believed that French forced him to be more disciplined and to use the language more wisely. However, Waiting for Godot was eventually translated into the English by Beckett himself.
Samuel Beckett also became one of the first absurdist playwrites to win international fame. His works have been translated into over twenty languages. In 1969 he received the Nobel Prize for Literature,
"GODOT5: Five Ruminations on Samuel Beckett's 'En Attendant Godot'" will go onstage at the Black Box Theater of the Ateneo de Manila University this coming February 3-7, 10-14 and 17-21, 2015. Weekday shows will be the usual two hour play at 7pm. Saturday shows, on the other hand, will feature a loop of four consecutive performances featuring different interpretations of the play at 10am, 1pm, 4pm, and 7pm.
"GODOT5: Five Ruminations on Samuel Beckett's 'En Attendant Godot'" is the finale of three productions--Han Ong's "Middle Finger" and Glenn Sevilla Mas's "Rite of Passage: Sa Pagtubu kang Tahud"-- comprising Tanghalang Ateneo's 36th Season: Navigating Identities.
For details of the show, please contact Madel Juliano at 0917-631-4387 or email ta.mpc78@gmail.com.
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See you at the theater!
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